Disc 2 episodes are bonus/supplement episodes of The CriterionCast. Rudie Obias, Ryan Gallagher & Travis George ramble on and on about movies and movie experiences. “On The Screen” is where they discuss anything and everything that has been on their screens in the week. So anything from TV & movies [...]]]>

Disc 2 episodes are bonus/supplement episodes of The CriterionCast. Rudie Obias, Ryan Gallagher & Travis George ramble on and on about movies and movie experiences. “On The Screen” is where they discuss anything and everything that has been on their screens in the week. So anything from TV & movies to music & web junk, everything “On The Screen” is up for grabs. This is what they recommend to you, their listeners.

This week’s Summer Movie Review is Knight and Day

SPECIAL GUEST: Moises Chiullan – The Arthouse Cowboy at Hollywood-Elsewhere.com.

What do you think of their show? Please send them your feed back: CriterionCast@gmail.com or call their voicemail line @ 347.878.3430 or follow them on twitter @CriterionCast or Comment on their blog, http://CriterionCast.com.

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Our next episode they will highlight and discuss CC #108 Michael Bay’s 1995 film, The Rock.

Add It To Your Netflix Queue & Watch It Via Netflix Watch Instantly.

Show Notes:

(00:00 – 00:10; “Rush Apart” by The Rural Alberta Advantage)

(00:11 – 00:59; The CriterionCast – Episode 040.5 – Disc 2)

[ON THE SCREEN]

(01:00 – 15:56; Travis on Tour With Horse Feathers)

(15:57 – 22:50; The Lion Dance & Ozu Retrospective)

(22:51 – 39:13; Dragon Ball Z)

(39:14 – 43:24; 8 1/2 @ The Northwest Film Center)

(43:25 – 52:40; The Return of Futurama)

(52:41 – 1:08:54; Knight & Day)

[CREDITS]

(1:08:55 – 1:10:34; Wrap Up, Contact Info & Goodbyes)

(1:10:35 – 1:11:23 ; “Tidal Wave” by Apples In Stereo)

(1:11:24 – 1:13:15; Outtakes)

Music Credits:

Opening Music:

“Rush Apart” by The Rural Alberta Advantage. Learn more @ TheRAA.com

Closing Music:

“Tidal Wave” by Apples In Stereo. Learn more @ ApplesInStereo.com

One of the greatest living directors, Martin Scorsese, working on a new film alone is grand news. But a re-teaming of Scorsese and his first muse, Robert De Niro, is a whole other ballgame entirely. Add to that the mention of Federico Fellini being an influence on this film, being done in two [...]]]>

One of the greatest living directors, Martin Scorsese, working on a new film alone is grand news. But a re-teaming of Scorsese and his first muse, Robert De Niro, is a whole other ballgame entirely. Add to that the mention of Federico Fellini being an influence on this film, being done in two parts, with nods to both 8 ½ and La Dolce Vita. Collider is reporting that one of Scorsese’s next projects, The Irishman, based on the non-fiction book I Heard You Paint Houses, will probably be cut into two films, where the nod to Fellini comes into play.

“We have a more ambitious idea, hopefully, to make it a two-part type of film or two films. It’s an idea that came about from [screenwriter] Eric Roth to combine these movies using the footage from ‘Paint Houses’ to do another kind of a [film that is] reminiscent of a kind of ‘8 ½,’ ‘La Dolce Vita,’ [a] certain kind of biographical, semi-biographical type of Hollywood movie – a director and the actor – based on things Marty and I have experienced and kind of overlapping them.”

This is exciting news for not only Scorsese fans but for Criterion Collection fans as well. With talks about Fellini’s La Dolce Vita possibly being in the world of the public domain (hint to Criterion, please put out a beautiful edition like only you can) and Fellini being a fan favorite amongst Criterion collectors (8 ½ already being a worthy edition as well), this is just becoming even more exciting every time we hear something new about the film.

The story is about the supposed assassin who killed Jimmy Hoffa, one of those unsolved mysteries that tends to make great fodder for crime films and parodies alike. It will also be the first time both Scorsese and De Niro have teamed up since 1995′s Casino, another gangster picture.

De Niro says he’s not sure if this film will be the next in line for Scorsese after The Invention of Hugo Cabret, based on the best selling children’s novel, which was just announced in 3D. Hopefully it is sooner than later. May we perhaps see another Scorsese film in the Criterion Collection? Only time will tell for sure.

Source: Collider

Over the past several weeks, the concept of “double dipping” has been brought to a heated point amongst DVD and Blu-ray collectors and enthusiasts. Double-dipping refers to the practice that many home media distributors use when re-releasing titles, either with new materials, packaging, or on a new format. This has been done [...]]]>

Over the past several weeks, the concept of “double dipping” has been brought to a heated point amongst DVD and Blu-ray collectors and enthusiasts. Double-dipping refers to the practice that many home media distributors use when re-releasing titles, either with new materials, packaging, or on a new format. This has been done for years by almost every studio, and is hotly debated by fans who feel the internal struggle of wanting to please the completist within, while at the same time not wanting to be taken advantage of by those seeking to milk a property as long as possible.

Last week we saw the long awaited Blu-ray release of the Lord of the Rings, a set that people have longed for ever since the high definition formats were announced. I know that personally, while the HD-DVD vs. Blu-ray format wars were still going on, the prospect of having Lord of the Rings in high definition would eventually sway my vote towards that format which had that title. When Amazon finally unveiled their official page for the Lord of the Rings Blu-ray set, hundreds, and eventually thousands of weary fans began the inevitable backlash towards the release, simply because the Extended Editions would not be made available immediately. This is a topic that I will expand upon, in my review of the Blu-ray set, but for now, know that right now there are a lot of people online who are tired of buying the same over and over again (yes, of course they are not being forced to make these purchases).

Even the Criterion Collection has seen its share of re-visiting releases, especially now that they are re-releasing titles from their catalog on Blu-ray. Criterion, however, knows how to re-release a title. They won’t simply release a film because they have a new cover, or want to make a few dollars more. They present glorious restorations, as you’ll see next month with the Walkabout Blu-ray, with newly produced documentaries, commentaries, and audio tracks. They’ll also take the time to produce some of the best cover artwork and liner notes the home video market has ever seen. I don’t want to forget the fact that Criterion itself began in the world of Laserdiscs, before moving onto DVD, then requiring many to repurchase their collections. Blu-ray is presenting an interesting new market, especially in how Criterion does not seem to be releasing all of their new titles on both DVD and Blu-ray. Occasionally they’ll announce DVD only versions of their upcoming titles, as we’re seeing this month with The Fugitive Kind. Criterion and Janus Films have also recently, begun releasing stripped down versions of their most beloved releases, in affordable, and attractive box sets, known as the Essential Art House series. Through these series of releases, many films that cinephiles regard as the highest, have been made available again, primarily directed at consumers looking to expand their DVD collection, at an affordable price, forsaking any supplemental materials that may have been found on prior editions put out by Criterion. Occasionally, the Essential Art House box sets have seen the inclusion of titles not found in the Criterion Collection, which we have again in this month’s release of Volume 5.

I have spoken about this set on recent episodes of the podcast, and I must reiterate how valuable these sets can be, despite their supplemental feature-less nature. These sets are not being marketed to the collectors of the Criterion Collection, but rather, as an affordable alternative for perhaps your niece or nephew, son or daughter, graduating high school, with dreams of film school. These sets could be for your parents, whom perhaps, still can’t figure out how to use their DVD players to their full potential, but love great films. These sets could be for your friends, who say they love movies, but have never strayed beyond the titles available at their local Walmart or Target. I hesitate to use the term “gateway drug”, but they could easily be seen as such, perhaps with less ruinous results (maybe not financially). Perhaps after receiving such a present, be it birthday, anniversary, or graduation, said recipient may go on to re-purchase these titles with all of their Criterion worthy supplementals. Again, these sets aren’t meant to be purchased by those who already own a copy of these films, but rather those who may never have picked them up in the first place.

Volume five of the Essential Art House collection features six of the most influential films of the Twentieth Century, each featuring a different director, language and style. In David Lean‘s Brief Encounter, we are treated to a heartbreaking tale of an affair centered around a train station. Certainly a story that still holds it’s power to this day, with its relatable plot, and stunning performances. Federico Fellini‘s 8 1/2 is a film that almost needs no introduction here, as we have discussed it several times on the show, but as I said before, this is a film so influential and important, that this release provides a new, more affordable way to see the film, without sacrificing sound or video quality. While the Blu-ray was just released in January, this is a film that deserves every edition made available. Yasujiro Ozu‘s Floating Weeds, one of the few remakes within the Criterion Collection, highlights one of the most influential Japanese directors, who was able to capture the love and pain of everyday life. Francois Truffaut‘s Jules and Jim again present us with one of the most influential directors and films of the last fifty years. A love story, a love triangle, between friends, a tale retold many times over in modern cinema, seen here as directed by a true master of the medium. As mentioned earlier, this Essential Art House set presents us with a film not previously released by Criterion, Gillo Pontecorvo‘s Kapo shows us once again, the horrors of the holocaust, how cruelty and the will to survive can shape a person. Finally, this set offers us Milos Forman‘s Loves of a Blonde, a Czech New Wave film, showing us a love story, in all of it’s ups and downs.

Below you’ll find short descriptions of the films, alongside links to their Criterion and Amazon pages, and links to rent the films on Netflix. Again, I highly recommend this set to anyone slightly hesitant to drop down money on the official Criterion releases of these films, as that would add up to near double the cost of this set. The special features missing on these discs are certainly missed, but are not a deal breaker. It all depends on where you are coming from, and what your wants and desires are when it comes to purchasing DVDs.

Are you planning on buying the set? Head over to Amazon, where you can pick up the set, or the individual titles, for practically a song and dance.

Want to know how long I’ve been receiving Criterion’s monthly newsletter, all-the-while daydreaming of being someone of enough cinematic circumstance to be awarded the platform and asked to list my “Top Ten?”

Years.

Want to know when that will actually happen?

Never.

Want to know my “Top Ten,” anyway?

Here you [...]]]>

Want to know how long I’ve been receiving Criterion’s monthly newsletter, all-the-while daydreaming of being someone of enough cinematic circumstance to be awarded the platform and asked to list my “Top Ten?”

Years.

Want to know when that will actually happen?

Never.

Want to know my “Top Ten,” anyway?

Here you are!