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	<title>The Criterion Cast &#187; Black Ops Arabesque</title>
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		<title>The Criterion Cast &#187; Black Ops Arabesque</title>
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	<itunes:summary>Your Podcast For All Things Criterion Collection!</itunes:summary>
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	<itunes:author>The Criterion Cast</itunes:author>
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		<title>SXSW 2010 Film Festival Announces Panels &amp; Shorts &#8211; With Special Criterion Guest: Peter Becker and Director David Gordon Green! [#SXSW 2010 Film Festival]</title>
		<link>http://criterioncast.com/2010/02/10/sxsw-short-films-panels-lineup-peter-becker-and-david-gordon-green-sxsw-2010/</link>
		<comments>http://criterioncast.com/2010/02/10/sxsw-short-films-panels-lineup-peter-becker-and-david-gordon-green-sxsw-2010/#comments</comments>
		<pubDate>Wed, 10 Feb 2010 14:17:19 +0000</pubDate>
		<dc:creator>Ryan Gallagher</dc:creator>
				<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[SXSW 2010]]></category>
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		<guid isPermaLink="false">http://criterioncast.com/?p=1851</guid>
		<description><![CDATA[<p></p> <p>SXSW just announced their film related panels, and numerous short films they&#8217;ll be screening next March for their 2010 Film Festival.</p> <p>Hidden within the list of film related panels are a few key events that us Criterion geeks will drool over. First off, we&#8217;re going to get some mysterious panel, with special Criterion [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://criterioncast.com/2010/02/10/sxsw-short-films-panels-lineup-peter-becker-and-david-gordon-green-sxsw-2010/" target="_self"><img class="aligncenter size-full wp-image-1852" title="SXSW 800 x 300" src="http://criterioncast.com/wp-content/uploads/2010/02/SXSW-800-x-300.jpg" alt="" width="818" height="318" /></a></p>
<p>SXSW just announced their film related panels, and numerous short films they&#8217;ll be screening next March for their 2010 Film Festival.</p>
<p><span id="more-1851"></span>Hidden within the list of film related panels are a few key events that us Criterion geeks will drool over. First off, we&#8217;re going to get some mysterious panel, with special Criterion guest, Peter Becker, the President of the Criterion Collection. I can&#8217;t tell from the panels listed which he&#8217;s going to be attending, but you can bet I&#8217;ll be in the front row. It could be: &#8220;<em><strong>Nobody Wants to Watch Your Film: Realities of  Online Film  Distribution (Efe Cakarel, The Auteurs),&#8221;</strong></em> or maybe <em><strong>&#8220;The Insider&#8217;s Guide to Independent Film Packaging in a Troubled   Economy (Gregory Slewett, Bloom Hergott et al).&#8221;</strong></em></p>
<p>We&#8217;re also going to get a panel with George Washington director, David Gordon Green, <strong>&#8220;Filmmakers in TV: A Case  Study&#8221; </strong>to discuss his work on the HBO series, Eastbound &amp; Down.</p>
<p>I&#8217;ve made note of a few of the short films that popped out as being interesting to me, just from the description alone. I&#8217;m really excited about all of the animated shorts, as any listeners/readers know that I&#8217;m a big animation geek. I think what has gotten me all worked up, mostly due to it&#8217;s potential, are the short films in the &#8220;<strong>FUTURESTATES&#8221; </strong>section below, several independent directors, creating short looks into the near future.</p>
<p>One last Criterion Collection connection found within the list: Guy Maddin is screening his short film, <strong>Night  Mayor, </strong>check out its hilarious description:</p>
<blockquote><p>From  acclaimed fabulist Guy Maddin comes a new  quasi-documentary completely  unburdened by fact.</p></blockquote>
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<p>So, my dear readers, <strong>which of these panels and short films are you most excited about</strong>? I&#8217;m going to be running around in a million directions trying to cover as many as I can, but if there are some you&#8217;d rather hear about over others, I&#8217;ll make it a point to get them on my schedule.</p>
<p>I wasn&#8217;t able to find trailers for any of the films I searched for, but I&#8217;d imagine that you can find a ton of material to watch over at <a href="http://www.youtube.com/user/sxsw" target="_blank">SXSW&#8217;s YouTube page</a>.</p>
<hr />
<blockquote><p><strong>Austin, Texas – February 10, 2010 </strong>– The South by Southwest  (SXSW) Film Conference and Festival is thrilled to announce over 80 Film  Conference panels and 130 short films for the 2010 event, which will  take place Friday, March 12 – Saturday, March 20, 2010 in Austin, Texas.  The SXSW Film Festival will open with the world premiere of Kick-Ass, directed by Matthew Vaughn  and starring Aaron Johnson, Cholë Grace Moretz, Christopher  Mintz-Plasse and Nicolas Cage. The schedule, complete with both  screening and panel dates and times, will be available on Monday,  February 15<sup>th</sup> at <a href="http://www.sxsw.com/film" target="_blank">http://www.sxsw.com/film</a>.  Visit often for more  information and updates.</p>
<p>The SXSW Film Conference starts on Friday, March  12 and runs through Tuesday, March 16, 2010. New major panelists added to the SXSW  Film Conference include Michel Gondry (filmmaker, The Thorn in the Heart, Eternal Sunshine of the  Spotless Mind), Quentin Tarantino (filmmaker, Inglorious Basterds), <strong>David Gordon Green</strong> (filmmaker, Eastbound &amp; Down, Pineapple Express), <strong>Peter Becker (President,  Criterion Collection),</strong> David Wohl (Radical Publishing) and Susan Bradley  (Pixar).  Other upgrades to the 2010 Conference include more workshop  sessions, more mentor sessions, and over 20 Crossover Panels (open to  both Film and Interactive registrants).</p>
<p>&#8220;We  are dedicated to presenting a strong conference that offers unique  vaule for our registrants from both the Film and Interactive worlds,&#8221;  says Film Conference and Producer Janet Pierson, &#8220;This year is no  different &#8211; not only do our panels cover a wide range of crucial and  timely topics, but we&#8217;ve assembled a dynamic group up of high-level  talent to share their experiences and insight. &#8221;</p>
<p>Also  announced was the complete Short films lineup, which will debut at this  year’s Festival from March 12 – 20, 2010. Over the course of nine days, 130 short films  will screen at the festival, selected from 2,312 short film  submissions.  A comprehensive list of the short films lineup is detailed  below.</p>
<p>“After months of watching incredible shorts,  we&#8217;re excited to finally unveil our complete lineup,” said Shorts Co-Programmers  Claudette Godfrey and Stephanie Noone, “Every film in our program  has a unique voice, embodies the energy of SXSW, and leaves a lasting  impression that we are thrilled to share with an audience.”</p></blockquote>
<hr />
<blockquote><p><strong>A Conversation with Michel  Gondry</strong></p>
<p style="padding-left: 30px;">The  stratospheric rise of Academy Award-winning visionary <strong>Michel Gondry</strong> is  one of the great success stories of modern film. Working with fellow  travelers like Spike Jonze, Charlie Kaufman and Bjork, Gondry has made  his mark on the film landscape with iconic work like Eternal Sunshine of the  Spotless Mind and The Science of Sleep. Come and enjoy what promises to be a  fascinating discussion as Gondry discusses his latest, highly personal  and emotionally raw documentary A Thorn in the Heart with TCM’s <strong>Elvis Mitchell</strong>.</p>
<p><strong>Directing the Dead: Genre  Directors Spill Their Guts</strong></p>
<p style="padding-left: 30px;">How does modern horror take gore beyond the purely grisly to  the level of grand guignol art and imagination?  How does bone-cracking  violence and flesh-rending horror contribute to the hallowed pantheon of  art and cinema?  Join five of the most striking genre filmmakers in  modern movies as they lock horns over the all-important issues of blood,  guts and gratuitous gore.  Featuring <strong>Ruben Fleischer</strong> (Zombieland), <strong>Matt Reeves</strong> (Let Me In) <strong>Eli Roth</strong> (Hostel), <strong>Quentin Tarantino</strong> (Inglorious Basterds), <strong>Ti West</strong> (House of the Devil), moderated by <strong>Scott  Weinberg</strong> (Cinematical)</p>
<p><strong>Filmmakers in TV: A Case  Study</strong></p>
<p style="padding-left: 30px;">Carving  a niche in the world of film is tough enough, and achieving the same  feat on the small screen is no easier. Successfully mastering both is in  yet another league, but somehow the creators of HBO’s Eastbound &amp; Down are pulling it off with  style.  Find out how <strong>Danny McBride</strong> (Your Highness), and filmmakers <strong>David  Gordon Green</strong> (Pineapple Express) and <strong>Jody Hill</strong> (Observe and Report) made it look easy in this  illuminating, entertaining glimpse at the art of combining technical  skill, sharp comedy writing and moving from the packed auditorium to the  living room couch.</p>
<p><strong>Creating a Graphic  Novel Hollywood Will Buy</strong></p>
<p style="padding-left: 30px;">Graphic novels are red hot in Hollywood now. With its  combination of words and visuals in one attractive package, a comic book  can be a great sales tool when pitching your project to studios. <strong>Ean  Mering</strong> (Pomegranate) talks to <strong>David Wohl</strong> (Radical Publishing), <strong>Martin  Shapiro</strong> (Night Owl Productions), <strong>Matt Hawkins</strong> (Top Cow) and <strong>Ted Adams</strong> (IDW Publishing) will explain how to create a graphic novel that will attract the attention  of movie producers.</p>
<p>Previously announced participants for the 2010  SXSW Film Conference include Jeffery Tambor’s Acting Workshop, a Kick-Ass Conversation panel with  director Matthew Vaughn, actors Aaron Johnson, Cholë Grace Moretz and  Christopher Mintz-Plasse, and comic writers Mark Millar and John S.  Romita, Academy Award-winning Argentine composer, solo artist and  producer Gustavo Santaolalla in Conversation with BMI’s Doreen Ringer  Ross, and Cult comics legend Gilbert Shelton in Conversation with Harry  Knowles</p></blockquote>
<hr />
<blockquote><p><strong>COMPLETE PANEL LINEUP:</strong></p>
<p style="padding-left: 30px;"><em>(Moderators listed in parentheses)</em></p>
<p><strong>Friday, March 12</strong></p>
<ul>
<li>Black Blogging Rockstars (J. Smith, mrjsmith)</li>
<li>Cooking for Geeks: Science, Hacks, &amp; Good  Food (Jeff Potter, Cooking for Geeks)</li>
<li>How Sci-Fi Shaped the Internet (Adria Richards,  butyouareagirl.com)</li>
<li>How to Rawk  SXSW Film (Agnes Varnum, Austin Film Society)</li>
</ul>
<p><strong>Saturday,  March 13</strong></p>
<ul>
<li>A  Conversation with Kick-Ass</li>
<li>Beyond  Advertising: Can Online Video Finally Pay? (Robert Millis, Will  Coghlan, Dynamo Player)</li>
<li>Blow  Something Up!: Live Action Special Effects (Steve Wolf, Special FX  International)</li>
<li><em>Directing the  Dead: Genre Directors Spill Their Guts (Scott Weinberg,  Cinematical/FEARnet)</em></li>
<li>Distribution  Deals: Caveat Seller (Deena Kalai, Deena Kalai PLLC)</li>
<li>DocLab @ SXSW (Caspar Sonnen, IDFA)</li>
<li>The Kids Are Alright</li>
<li><em><strong>Filmmakers in TV: A Case Study </strong><strong>[David Gordon Green]</strong></em></li>
<li>From Screening Room to Living Room (Heather  Courtney, Quincy Hill Films)</li>
<li>How  to Create a Viral Video (Jason Wishnow, TED)</li>
<li>Mentors: Programmers</li>
<li>Mentors: Distribution</li>
<li>Mentors: Producers</li>
<li>Mentors: Publicity</li>
<li><em><strong>Nobody Wants to Watch Your Film: Realities of  Online Film Distribution (Efe Cakarel, The Auteurs)</strong></em></li>
<li>Power Shift: Who Stands Between Creator and  Audience (Liesl  Copland, William Morris Endeavor Entertainment)</li>
<li>Remix Goes Mainstream: Making Mashups Pay (Patricia Aufderheide, Center  for Social Media American University)</li>
<li>Ripping Reality &#8211; Creativity and the New  Documentary (Sean Farnel, Hot Docs)</li>
<li><em><strong>The Insider&#8217;s Guide to Independent Film Packaging in a Troubled  Economy (Gregory Slewett, Bloom Hergott et al)</strong></em></li>
<li>The Power of Super 8 Film (Philip Vigeant,  Pro8mm)</li>
</ul>
<p><strong>Sunday, March 14</strong></p>
<ul>
<li><strong><em>A Conversation with Michel Gondry (Elvis  Mitchell, TCM)</em></strong></li>
<li>Cinematic  Titles: A Case Study (David Tecson, Edgeworx)</li>
<li>Editing Fiction, Non-Fiction and Everything  In-Between</li>
<li>Fans, Friends &amp;  Followers: Creating Your Own Cult (of the Non-Apocalyptic Variety)  (Scott Kirsner, CinemaTech)</li>
<li>FIVE  FATAL F*CKUPS: The biggest legal mistakes every indie producer makes  (Stephen Monas, Business Affairs Inc)</li>
<li>How to Cast Your Indie or New Media Production using the latest  in Online Tools (William Marshall, SAG)</li>
<li><em><strong>Hyperbole  In Film Criticism &amp; Analysis (Erik Childress, WGN Radio  Chicago/eFilmCritic.com)</strong></em></li>
<li>Jeffrey  Tambor&#8217;s Acting Workshop</li>
<li>Mentors:  Filmmakers</li>
<li>Mentors:  Filmmakers</li>
<li>Mentors:  Legal/Clearance</li>
<li>Mentors:  Press &amp; Bloggers</li>
<li>Offering  Your Content in 100 Languages (June Cohen, TED Conferences)</li>
<li>Reel To Reality:  How Good Film Does Good (David J  Neff, Lights.Camera.Help.)</li>
<li>Sound  Decisions: A Reality Check on Using Music in Film (Doreen Ringer-Ross,  BMI)</li>
<li>The Main Event: Finding an  Audience for Your Film (Laure Parsons, X + X films)</li>
<li>What&#8217;s Open Video and Why Does It Matter?  (Elizabeth Stark, Open Video Alliance / Yale University)</li>
<li>Writing a Successful Screenplay: Considering the  Source</li>
</ul>
<p><strong>Monday, March 15</strong></p>
<ul>
<li>3D  Stereoscopic Production Tools, Production and Post</li>
<li><em><strong>A Conversation with Gilbert Shelton (Harry Jay  Knowles, Ain&#8217;t It Cool News)</strong></em></li>
<li>Anatomy  of a Release; From Conception Through Exhibition (Todd Sklar, Range  Life Entertainment)</li>
<li>Cash Flow  Workflow: Funding Docs From Start to Finish (Cara Mertes, Sundance  Institute Documentary Program)</li>
<li>Cinematography  for Improvised Films: Lighting the Unknown (Paul Harrill, Self-Reliant  Film)</li>
<li>Creating a Graphic Novel  Hollywood Will Buy (Ean Mering, Pomegranate)</li>
<li>Direct a Great Film by Storyboarding with Stick  Figures (Mark Bristol, Id Software)</li>
<li>Don&#8217;t Get Sued! A Guide For Content Creators (Robert Strent,  Grubman, Indursky &amp; Shire, PC)</li>
<li>Finding the Money: NEH and ITVS (Michael Shirley, National  Endowment for the Humanities)</li>
<li>First  Impressions: The Art of Main Title Design (Karin Fong, Imaginary  Forces)</li>
<li><em><strong>Floating Heads are Dead &#8211;  Why Traditional Posters Suck (Tiffany Pritchard, AllCity Media)</strong></em></li>
<li>Getting to Know the Guilds</li>
<li>How to Avoid &#8220;Fixing it in the Mix&#8221; (James  LeBrecht, Berkeley Sound Artists)</li>
<li>Making Content Relevant To Me, Here And Now (Liz Gannes,  GigaOM)</li>
<li>Mentor: Programmers</li>
<li>Mentors: Distribution</li>
<li>Mentors: Managers/Agents</li>
<li>Mentors: Producers</li>
<li>Sound Unbound (DJ Spooky That Subliminal Kid)</li>
<li>Sustainable Filmmaking Workshop (Larry Engel,  American University)</li>
<li>Visual FX  for Indies: Big Impact, Small Budgets (R Zane Rutledge, zanefilms+fx)</li>
</ul>
<p><strong>Tuesday, March 16</strong></p>
<ul>
<li>3DIY</li>
<li>A Conversation with Gustavo Santaolalla (Doreen  Ringer-Ross, BMI)</li>
<li>A  Conversation with MacGruber</li>
<li>Artists,  Labels Embrace Virtual Worlds (Lee Clancy, IMVU, Inc.)</li>
<li>Festival Strategies for Independent Film (Jane  Schoettle, Toronto International Film Festival)</li>
<li>Filmmaker War Stories</li>
<li>Financing Media Productions in the New World of  Distribution (CLE) (Daniel Satorius, Lommen Abdo Law Firm)</li>
<li>How to Maximize the Value in your Media Assets  (Steve Engel)</li>
<li><strong><em>Making Sure  The World Doesn&#8217;t Suck: How Independent Content Can Save The Media (Evan  Shapiro, IFC TV/Sundance Channel)</em></strong></li>
<li>Mentors: Writers</li>
<li>Music  Licensing for Emerging Media: Apps, Widgets, Viral Videos (Joel  Johnson, Gizmodo)</li>
<li>Remixing for  the Masses (Paul Lamere, The Echo Nest)</li>
<li>Short Film Secrets: Festivals, Distribution,  &amp; Getting More Work (Christopher Holland, Short Film Secrets)</li>
<li>The Two Taqwacores</li>
<li>Does Your HD ‘Baby’ Have its “Pants on the  Ground?” (Mike DesRoches, SONY)</li>
<li>Texas  Filmmaker Production Fund Workshop (Bryan Poyser, Austin Film Society)</li>
</ul>
</blockquote>
<hr />
<blockquote><p><strong>COMPREHENSIVE SHORT FILMS LINEUP</strong></p>
<p style="padding-left: 30px;"><strong>NARRATIVE SHORTS</strong></p>
<p style="padding-left: 60px;"><em>A selection of original, well-crafted films that  take advantage of the short form and exemplify distinctive and genuine  storytelling. The winner of our Grand Jury Award in this category is  eligible for a 2011 Academy Award nomination for Best Narrative Short.</em></p>
<p style="padding-left: 60px;"><strong>ANATINUS</strong></p>
<p style="padding-left: 90px;">Director:  David Wanger</p>
<p style="padding-left: 90px;">A  glimpse of the dawn of a strange new era.</p>
<p style="padding-left: 60px;"><strong>Bedford Park Boulevard</strong></p>
<p style="padding-left: 90px;">Director: Felix Thompson</p>
<p style="padding-left: 90px;">A fifteen-year-old Latino boy at a high school in  the Bronx makes a mistake that will define the rest of his life.</p>
<p style="padding-left: 60px;"><strong>The Big Fiddle</strong></p>
<p style="padding-left: 90px;">Director: Willi Patton</p>
<p style="padding-left: 90px;">A conceptual drama exploring the nature of music  in cinema, and the possibilities of having a live score shape the ways  in which the characters interact with each other.</p>
<p style="padding-left: 60px;"><strong>Bikini Lighters</strong></p>
<p style="padding-left: 90px;">Directors:  Andrew Goldman and Andrew Blackwell</p>
<p style="padding-left: 90px;">After shoplifting lighters, three young friends  venture into the woods behind their neighborhood to create an explosion.</p>
<p style="padding-left: 60px;"><strong>Black Ops Arabesque</strong></p>
<p style="padding-left: 90px;">Director: Jared Drake</p>
<p style="padding-left: 90px;">A Secret Service Agent has a secret of his own-  it involves ballet shoes.</p>
<p style="padding-left: 60px;"><strong>Brave Donkey</strong></p>
<p style="padding-left: 90px;">Director: Gaysorn Thavat</p>
<p style="padding-left: 90px;">When Brian pays a visit to his old home he  unexpectedly finds himself in the middle of a violent dispute in which  he saves a woman’s life. Tragically, his courageous decision proves to  be his ultimate undoing.</p>
<p style="padding-left: 60px;"><strong>The Call to the Post</strong></p>
<p style="padding-left: 90px;">Director: Brian Higdon</p>
<p style="padding-left: 90px;">David, an aging musician, returns to a  horseracing track to rediscover the job that defined his identity.</p>
<p style="padding-left: 60px;"><strong>Cigarette Candy</strong></p>
<p style="padding-left: 90px;">Director: Lauren Wolkstein</p>
<p style="padding-left: 90px;">Forced to play the role of &#8220;the hero&#8221; at his  homecoming party, a traumatized teenage Marine forms an unlikely bond  with a rebellious young girl.</p>
<p style="padding-left: 60px;"><strong>Coney Island Baby</strong></p>
<p style="padding-left: 90px;">Director: André Aimaq</p>
<p style="padding-left: 90px;">Betty found a thick wad of cash hidden in a porn  DVD stashed in her new oven. And that wasn&#8217;t even the strangest thing  that happened to her that day.</p>
<p style="padding-left: 60px;"><strong>Equestrian Sexual Response</strong></p>
<p style="padding-left: 90px;">Director: Zeke Hawkins</p>
<p style="padding-left: 90px;">Alice is introduced to sexuality through the  world of racehorse breeding.</p>
<p style="padding-left: 60px;"><strong>Girls Named Pinky</strong></p>
<p style="padding-left: 90px;">Director: Alex Lubliner</p>
<p style="padding-left: 90px;">Morris Munsey is an average man searching in vain  for a human connection.  On a quiet night in a small town bar, he finds  her&#8230;</p>
<p style="padding-left: 60px;"><strong>Going Back</strong></p>
<p style="padding-left: 90px;">Director: Adam Keleman</p>
<p style="padding-left: 90px;">A glimpse into the life of Lorna, a failed model,  who returns to her home town after a sudden death in the family,  confronting the past she left behind.</p>
<p style="padding-left: 60px;"><strong>The Hardest Part</strong></p>
<p style="padding-left: 90px;">Director: Oliver Refson</p>
<p style="padding-left: 90px;">An aging actor finally secures the audition of a  lifetime. But just how badly does he want the role?</p>
<p style="padding-left: 60px;"><strong>Have You Seen My Hair?</strong></p>
<p style="padding-left: 90px;">Directors: John M. Wilson and Chris Maggio</p>
<p style="padding-left: 90px;">The story of a young girl whose salon appointment  catapults her into a nightmarish romp through the depths of her  imagination.</p>
<p style="padding-left: 60px;"><strong>Jean-Paul Luc Sabastien  Rene</strong></p>
<p style="padding-left: 90px;">Director:  Milena Pastreich</p>
<p style="padding-left: 90px;">Two  fifty-year-old women tan on their living room floor when an unexpected  message from their past flies through their window.</p>
<p style="padding-left: 60px;"><strong>Kelp</strong></p>
<p style="padding-left: 90px;">Directors:  Benjamin Dohrmann and Seth Cuddeback</p>
<p style="padding-left: 90px;">A somber comedy about a married man who becomes  infatuated with kelp.</p>
<p style="padding-left: 60px;"><strong>The Mess Hall of an Online  Warrior</strong></p>
<p style="padding-left: 90px;">Director:  Dan P K Smyth</p>
<p style="padding-left: 90px;">A  short film about computer game addiction and the effects it has on  family life.</p>
<p style="padding-left: 60px;"><strong>Out of Nowhere</strong></p>
<p style="padding-left: 90px;">Director: Will Lamborn</p>
<p style="padding-left: 90px;">On the run from a killer, a man tries to escape  the desert.</p>
<p style="padding-left: 60px;"><strong>Pancake Breakfast</strong></p>
<p style="padding-left: 90px;">Director: Adam Locke-Norton</p>
<p style="padding-left: 90px;">A sarcastic guy realizes that his jokes about his  girlfriend cheating may in fact be more truthful than he thought.</p>
<p style="padding-left: 60px;"><strong>Savage</strong></p>
<p style="padding-left: 90px;">Director:  Lisa Jackson</p>
<p style="padding-left: 90px;">A  residential school musical.</p>
<p style="padding-left: 60px;"><strong>Snapshots</strong></p>
<p style="padding-left: 90px;">Directors: Kate Barker and Andres Rosende</p>
<p style="padding-left: 90px;">New York City &#8211; Seven Stories &#8211; One Day.</p>
<p style="padding-left: 60px;"><strong>Storage</strong></p>
<p style="padding-left: 90px;">Director:  Nadia Tabbara</p>
<p style="padding-left: 90px;">Two  Lebanese men with limited English search the streets of Brooklyn for a  place of Storage.</p>
<p style="padding-left: 60px;"><strong>Teleglobal Dreamin&#8217;</strong></p>
<p style="padding-left: 90px;">Director: Eric Flanagan</p>
<p style="padding-left: 90px;">A Filipino call center agent takes her American  corporate-trainer boss out on the town, setting off a chain of events  with unexpected consequences.</p>
<p style="padding-left: 60px;"><strong>Televisnu</strong></p>
<p style="padding-left: 90px;">Director: Prithi Gowda</p>
<p style="padding-left: 90px;">Working at a call center somewhere in India, a  young woman&#8217;s computer breaks down. In an attempt to fix it, she finds  herself in a magical, mythical web of electronic wires where memories,  secrets, and hidden desires reveal themselves.</p>
<p style="padding-left: 30px;"><strong>NARRATIVE SHORTS SCREENING  WITH FEATURES</strong></p>
<p style="padding-left: 60px;"><strong>Always A Bride</strong></p>
<p style="padding-left: 90px;">Director: Danny Strauss</p>
<p style="padding-left: 90px;">Cate can&#8217;t control her jealousy when she finds  out her best friend is getting divorced.</p>
<p style="padding-left: 60px;"><strong>Annie Goes Boating</strong></p>
<p style="padding-left: 90px;">Director:  Noel Paul</p>
<p style="padding-left: 90px;">A picnic in a park, in 3D.</p>
<p style="padding-left: 60px;"><strong>Diplomacy</strong></p>
<p style="padding-left: 90px;">Director:  Jon Goldman</p>
<p style="padding-left: 90px;">Relations  between the United States and Iran take an unexpected turn when two  senior diplomats and their interpreters meet for a closed-door session.</p>
<p style="padding-left: 60px;"><strong>Loop Planes</strong></p>
<p style="padding-left: 90px;">Director:  Robin Wilby</p>
<p style="padding-left: 90px;">13-year-old  Nick lives with his dad at an amusement park. But today, with the  arrival of his mother and a pink-haired girl, Nick is in for the ride of  his life.</p>
<p style="padding-left: 60px;"><strong>Lunch Watching TV</strong></p>
<p style="padding-left: 90px;">Director: Alfonso Nogueroles</p>
<p style="padding-left: 90px;">A normal day: the eggs, the fries, the beer, the  bread, the crisis, the politics, the football&#8230; A historical date. Just  another day.</p>
<p style="padding-left: 30px;"><strong>DOCUMENTARY SHORTS</strong></p>
<p style="padding-left: 60px;"><em>Unfiltered  slices of life, from across the documentary spectrum.</em></p>
<p style="padding-left: 60px;"><strong>6</strong></p>
<p style="padding-left: 90px;">Director:  Jeff Bednarz</p>
<p style="padding-left: 90px;">A  portrait of modern day small town America told through the story of two  6 Man Football teams vying for the Texas State Championship.</p>
<p style="padding-left: 60px;"><strong>Big Birding Day</strong></p>
<p style="padding-left: 90px;">Director: David Wilson</p>
<p style="padding-left: 90px;">A glimpse into the world of competitive bird  watching, as three friends attempt to see as many species as possible in  24 hours.</p>
<p style="padding-left: 60px;"><strong>Mr. Hypnotism</strong></p>
<p style="padding-left: 90px;">Director: Bradley Beesley</p>
<p style="padding-left: 90px;">Self proclaimed “Doctor” Dante had a colorful  career as a grifter. Mr. Hypnotism chronicles Dante’s stint as Hollywood’s  Hypnotist to the Stars and his descent to become one of the most  notorious conmen of the 20th Century.</p>
<p style="padding-left: 60px;"><strong>Quadrangle</strong></p>
<p style="padding-left: 90px;">Director:  Amy Grappell</p>
<p style="padding-left: 90px;">An  unconventional documentary about two &#8216;conventional&#8217; couples that  swapped partners and lived in a group marriage in the early 70s, hoping  to pioneer an alternative to divorce and the way people would live in  the future.</p>
<p style="padding-left: 60px;"><strong>Seltzer Works</strong></p>
<p style="padding-left: 90px;">Director: Jessica Edwards</p>
<p style="padding-left: 90px;">The last seltzer filler in Brooklyn fends off the  supermarket seltzer take-over and honors this simple drink&#8217;s place in  history</p>
<p style="padding-left: 60px;"><strong>White Lines and The  Fever:  The Death of DJ Junebug</strong></p>
<p style="padding-left: 90px;">Director: Travis Senger</p>
<p style="padding-left: 90px;">The  Bronx, 1983. The hottest club in the city.  One of Hip-Hop&#8217;s greatest  DJ&#8217;s ever and his tragic death.</p>
<p style="padding-left: 30px;"><strong>DOCUMENTARY SHORTS SCREENING WITH FEATURES</strong></p>
<p style="padding-left: 60px;"><strong>5 variations on a long string</strong></p>
<p style="padding-left: 90px;">Director: Peter Esmonde</p>
<p style="padding-left: 90px;">A short music documentary about the creative life  of composer/performer Ellen Fullman, who has spent over 25 years  developing, perfecting, and performing on an extraordinary 60-foot-long  instrument.</p>
<p style="padding-left: 60px;"><strong>Keep Dancing</strong></p>
<p style="padding-left: 90px;">Director: Greg Vander Veer</p>
<p style="padding-left: 90px;">The story of two 90-year old dancers who still  meet, twice a week, in a private studio in Manhattan to choreograph and  rehearse.</p>
<p style="padding-left: 60px;"><strong>Solitary/Release</strong></p>
<p style="padding-left: 90px;">Director: Holden Abigail Osborne</p>
<p style="padding-left: 90px;">Part family portrait, part audacious vision of a  future that never was, Solitary/Release is an intimate documentary-fiction hybrid  exploring the life of a recovering drug addict on the verge of great  change.</p>
<p style="padding-left: 30px;"><strong>ANIMATED SHORTS</strong></p>
<p style="padding-left: 60px;"><em>An assortment of stories told using a mix of  traditional animation, computer-generated effects, stop-motion, and  everything in-between. The winner of our Grand Jury Award in this  category is eligible for a 2011 Academy Award nomination for Best  Animated short.</em></p>
<p style="padding-left: 60px;"><strong>The Art of Drowning</strong></p>
<p style="padding-left: 90px;">Director: Diego Maclean</p>
<p style="padding-left: 90px;">Based on a poem by Billy Collins, The Art of Drowning ponders what awaits us at  the end of the line.</p>
<p style="padding-left: 60px;"><strong>Bygone Behemoth</strong></p>
<p style="padding-left: 90px;">Director: Harry Chaskin</p>
<p style="padding-left: 90px;">A washed-up movie monster relives his halcyon  days.</p>
<p style="padding-left: 60px;"><strong>The Cow Who Wanted to Be a  Burger</strong></p>
<p style="padding-left: 90px;">Director:  Bill Plympton</p>
<p style="padding-left: 90px;">A tragic  story of a bovine seduced by advertising down the path of butchers and  carnivores.</p>
<p style="padding-left: 60px;"><strong>Down To The Bone</strong></p>
<p style="padding-left: 90px;">Director: Peter Ahern</p>
<p style="padding-left: 90px;">A boy. A babysitter. An explosive sneeze. Google  it.</p>
<p style="padding-left: 60px;"><strong>The Falcon</strong></p>
<p style="padding-left: 90px;">Director: Scot Hampton</p>
<p style="padding-left: 90px;">Composed entirely of parts from disassembled  antique/analog cameras, The Falcon follows Howell the Owl (f/256) and Professor Weston (ISO 50)  as they journey throughout the Focal Kingdom searching for dinner.</p>
<p style="padding-left: 60px;"><strong>Junko&#8217;s Shamisen</strong></p>
<p style="padding-left: 90px;">Director:  Sol Friedman</p>
<p style="padding-left: 90px;">A young  Japanese orphan and her mystical friend exact poetic justice on a  malevolent samurai lord.</p>
<p style="padding-left: 60px;"><strong>La Nostalgia del Sr.  Alambre</strong></p>
<p style="padding-left: 90px;">Director:  Jonathan Ostos Yaber</p>
<p style="padding-left: 90px;">A young  man’s talent, miles of twisted wire, and a spotlight mix together to  produce a show as never seen before.</p>
<p style="padding-left: 60px;"><strong>Off-Line</strong></p>
<p style="padding-left: 90px;">Director:  Tom Gasek<br />
Off-Line is a short animated film  that tells about what can happen inside a microwave oven when it is  abused. It features a rather curious orange capacitor named “IZ.”</p>
<p style="padding-left: 60px;"><strong>The Orange</strong></p>
<p style="padding-left: 90px;">Director:  Nick Fox-Gieg</p>
<p style="padding-left: 90px;">Suddenly, a  humble citrus fruit is granted absolute power over the universe.</p>
<p style="padding-left: 60px;"><strong>One Square Mile of Earth</strong></p>
<p style="padding-left: 90px;">Director: Jeff Drew</p>
<p style="padding-left: 90px;">A series of bar room conversations featuring Bill  the Bunny, Gary the Frog, Lucy the Goat, Thad the Bear, Leon the  Hippopotamus and Pedro the Squirrel. Fun times await!</p>
<p style="padding-left: 60px;"><strong>Poppy</strong></p>
<p style="padding-left: 90px;">Director:  James Cunningham</p>
<p style="padding-left: 90px;">A New Zealand  soldier finds redemption in the hell of WWI.</p>
<p style="padding-left: 60px;"><strong>The Polish Language</strong></p>
<p style="padding-left: 90px;">Director: Alice Lyons and Orla Mc Hardy</p>
<p style="padding-left: 90px;">Using hand-drawn, stop-motion, time-lapse and  computer animation techniques, The Polish Language is at once a playful and  solemn journey into the sensuality, beauty and subversive power of  language.</p>
<p style="padding-left: 30px;"><strong>EXPERIMENTAL SHORTS</strong></p>
<p style="padding-left: 60px;"><em>A diverse collection of films ranging from the  visually stimulating to the intellectually challenging.</em></p>
<p style="padding-left: 60px;"><strong>The Bellows March</strong></p>
<p style="padding-left: 90px;">Director:  Eric Dyer</p>
<p style="padding-left: 90px;">Crowds of concertinas live  out a cycle of destroy-create-destroy. Dyer&#8217;s 3-D printed and  hand-painted &#8216;cinetropes&#8217; come to vibrant life when seen through the  shutter of a video camera.</p>
<p style="padding-left: 60px;"><strong>Eulogy</strong></p>
<p style="padding-left: 90px;">Director: Ben Claremont</p>
<p style="padding-left: 90px;">A whole life&#8217;s story is told in just a few  seconds. Eulogy is a film about life, death&#8230; and pigeons.</p>
<p style="padding-left: 60px;"><strong>Feeder</strong></p>
<p style="padding-left: 90px;">Director:  Joseph Ernst</p>
<p style="padding-left: 90px;">A short film  that will make you feel sick.</p>
<p style="padding-left: 60px;"><strong>I close my eyes and walk  away</strong></p>
<p style="padding-left: 90px;">Director: Michele  Castagnetti</p>
<p style="padding-left: 90px;">Memories turn  into dreams as dreams turn into memories.</p>
<p style="padding-left: 60px;"><strong>I Miss</strong></p>
<p style="padding-left: 90px;">Director:  Annie Dorsen</p>
<p style="padding-left: 90px;">In this  mesmerizing short, a girl is prompted by her mother in the recitation of  an intensely romantic poem.</p>
<p style="padding-left: 60px;"><strong>Kids Might Fly</strong></p>
<p style="padding-left: 90px;">Director: Alex Taylor</p>
<p style="padding-left: 90px;">A young homeless girl is taken into care. Set in  an urban wilderness, this film is an offbeat and touching experimental  drama about East London kids.</p>
<p style="padding-left: 60px;"><strong>LoopLoop</strong></p>
<p style="padding-left: 90px;">Director: Patrick Bergeron</p>
<p style="padding-left: 90px;">In a train going to Hanoi in Vietnam, the houses  boarding the railroad are passing by. Using animation and time shifts  this video runs forwards and backwards looking for forgotten details,  mimicking the way memories are replayed in the mind.</p>
<p style="padding-left: 60px;"><strong>Meatwaffle</strong></p>
<p style="padding-left: 90px;">Director:  Leah Shore</p>
<p style="padding-left: 90px;">An old man  recalls his strange and bizarre memories</p>
<p style="padding-left: 60px;"><strong>Mamori</strong></p>
<p style="padding-left: 90px;">Director:  Karl Lemieux</p>
<p style="padding-left: 90px;">Mamori takes its title from a  place in the Amazon forest, and captures the textures of tropical  vegetation and its various transformations according to the phenomena of  light.</p>
<p style="padding-left: 60px;"><strong>Night Mayor * [Ryan wants to see this!]<br />
</strong></p>
<p style="padding-left: 90px;">Director: Guy Maddin</p>
<p style="padding-left: 90px;">From acclaimed fabulist Guy Maddin comes a new  quasi-documentary completely unburdened by fact.</p>
<p style="padding-left: 60px;"><strong>ReRun</strong></p>
<p style="padding-left: 90px;">Director:  Asif Mian</p>
<p style="padding-left: 90px;">An urban odyssey of visual  and audio following a young basketball player and his sneakers.</p>
<p style="padding-left: 60px;"><strong>Vertigo</strong></p>
<p style="padding-left: 90px;">Director:  Oscar Berrio</p>
<p style="padding-left: 90px;">Poetry and  video integrated to transmit a stunning aesthetical experience.</p>
<p style="padding-left: 30px;"><strong>MIDNIGHT SHORTS</strong></p>
<p style="padding-left: 60px;"><em>Bite-sized bits for all of your sex, gore, and  hilarity needs.</em></p>
<p style="padding-left: 60px;"><strong>5 Second Films</strong></p>
<p style="padding-left: 90px;">Director: Brian Firenzi</p>
<p style="padding-left: 90px;">A warped-speed, breathlessly bizarre collection  of comedic shorts, all exactly 5 seconds long. From the people that  brought you Sophie&#8217;s Choice.</p>
<p style="padding-left: 60px;"><strong>The Alleyway</strong></p>
<p style="padding-left: 90px;">Director: Cosmo Jarvis</p>
<p style="padding-left: 90px;">An experimental film about an alleyway and an old  man&#8217;s relationship to it.</p>
<p style="padding-left: 60px;"><strong>The Babysitter</strong></p>
<p style="padding-left: 90px;">Director: Kristen Gray-Rockmaker</p>
<p style="padding-left: 90px;">When a troubled married couple arrive home from a  night out, they encounter a horrifying scene.</p>
<p style="padding-left: 60px;"><strong>Can We Talk?</strong></p>
<p style="padding-left: 90px;">Director:  Jim Owen</p>
<p style="padding-left: 90px;">Vince gets way more than he  bargains for when he dumps his girlfriend . . . again.</p>
<p style="padding-left: 60px;"><strong>Cocoa Loco</strong></p>
<p style="padding-left: 90px;">Director:  Shaka King</p>
<p style="padding-left: 90px;">A short film  about cocoa butter scented lotion, karmic retribution, and the strangers  you call family.</p>
<p style="padding-left: 60px;"><strong>Delmer Builds A Machine</strong></p>
<p style="padding-left: 90px;">Director: Landon Zakheim</p>
<p style="padding-left: 90px;">An account of the most Important event in  recorded history.</p>
<p style="padding-left: 60px;"><strong>Dwight David Honeycutt for  Conway School Board</strong></p>
<p style="padding-left: 90px;">Director:  Roland Honeycutt Jr.</p>
<p style="padding-left: 90px;">Re-edit  of my uncle&#8217;s old political video footage in order to better convey the  man.</p>
<p style="padding-left: 60px;"><strong>Eagles Are Turning People  Into Horses</strong></p>
<p style="padding-left: 90px;">Director:  Brian McElhaney</p>
<p style="padding-left: 90px;">Lyle,  too scared to break up with his girlfriend honestly, enacts a scheme to  convince her they MUST break up because he is on the frontlines of a  vicious battle between man, beast and fowl.</p>
<p style="padding-left: 60px;"><strong>Expiration</strong></p>
<p style="padding-left: 90px;">Director:  Mark Nickelsburg</p>
<p style="padding-left: 90px;">A lonely man  courts danger by drinking a glass of milk just seconds before the  expiration date.</p>
<p style="padding-left: 60px;"><strong>Fix My Dick</strong></p>
<p style="padding-left: 90px;">Director: PJ Raval</p>
<p style="padding-left: 90px;">A music video for the artist CHRISTEENE featuring  DJ Jaunty.</p>
<p style="padding-left: 60px;"><strong>Not Interested</strong></p>
<p style="padding-left: 90px;">Director: D.W. Young</p>
<p style="padding-left: 90px;">A spaced out knife salesman makes the house call  of a lifetime.</p>
<p style="padding-left: 60px;"><strong>TUB</strong></p>
<p style="padding-left: 90px;">Director:  Bobby Miller</p>
<p style="padding-left: 90px;">Paul  can&#8217;t commit. Paul jerks off in the shower. Paul just impregnated his  bath tub.</p>
<p style="padding-left: 30px;"><strong>TEXAS SHORTS</strong></p>
<p style="padding-left: 60px;"><em>An offshoot of our regular narrative shorts  program, composed of work shot in, about, or somehow relating to the  Lone Star state.</em></p>
<p style="padding-left: 60px;"><strong>Better Safe than Sorry</strong></p>
<p style="padding-left: 90px;">Director: Chris Demarais</p>
<p style="padding-left: 90px;">Pigeon.  Squirrel.</p>
<p style="padding-left: 60px;"><strong>The Big Bends</strong></p>
<p style="padding-left: 90px;">Director: Jason William Marlow</p>
<p style="padding-left: 90px;">The Big Bends captures the story of a dying man  in the desert as he is confronted by a troubled Mexican couple crossing  the border.</p>
<p style="padding-left: 60px;"><strong>Depth of Phil</strong></p>
<p style="padding-left: 90px;">Director: Jack Daniel Stanley</p>
<p style="padding-left: 90px;">Amidst delusions of saving failed U.S. banks and  car companies, an aging homeless man reconnects with a long-lost  sweetheart via Facebook in this quirky Austin-set tragicomedy.</p>
<p style="padding-left: 60px;"><strong>El Abuelo</strong></p>
<p style="padding-left: 90px;">Director:  Dino Dinco</p>
<p style="padding-left: 90px;">El  Abuelo is a lyrical portrait of Joe Jimenez, Texan poet and educator,  whose words connect the power of a well-ironed crease with attracting  the eye of another homeboy.</p>
<p style="padding-left: 60px;"><strong>The GrownUps</strong></p>
<p style="padding-left: 90px;">Director: Jason Wehling</p>
<p style="padding-left: 90px;">In The GrownUps, two couples try to regroup after  a dinner argument gets out-of-hand.</p>
<p style="padding-left: 60px;"><strong>Honorarium</strong></p>
<p style="padding-left: 90px;">Director:  Steve Mims</p>
<p style="padding-left: 90px;">The  arrival of a controversial figure to speak at a university conference  tests the boundaries of social decorum and social duties.</p>
<p style="padding-left: 60px;"><strong>Mnemosyne Rising</strong></p>
<p style="padding-left: 90px;">Director: Miguel Alvarez</p>
<p style="padding-left: 90px;">A deep-space transmitter pilot begins to  experience unusual flashbacks on his ship when he learns he&#8217;s being sent  back to Earth.</p>
<p style="padding-left: 60px;"><strong>Now or Never</strong></p>
<p style="padding-left: 90px;">Director:  Aaron Burns</p>
<p style="padding-left: 90px;">Henry  has been in love with his best friend Alexa for years. Today he has  decided to tell her not only how he feels, but exactly how deeply he  feels it.</p>
<p style="padding-left: 60px;"><strong>Petting Sharks</strong></p>
<p style="padding-left: 90px;">Director: Craig Elrod</p>
<p style="padding-left: 90px;">The sea of love is short on sharks.</p>
<p style="padding-left: 60px;"><strong>Rule No. 2</strong></p>
<p style="padding-left: 90px;">Director: Avram Dodson</p>
<p style="padding-left: 90px;">Breaking Rule No. 2 leads to relationship  trouble, which is bad.  But relationship trouble leads to makeup sex,  which is good!</p>
<p style="padding-left: 60px;"><strong>Table 7</strong></p>
<p style="padding-left: 90px;">Director: Marko Slavnic</p>
<p style="padding-left: 90px;">A couple has an intimate conversation in a  restaurant, unaware that their every word is being closely monitored.</p>
<p style="padding-left: 60px;"><strong>Trash Day</strong></p>
<p style="padding-left: 90px;">Director:  Sam Lerma</p>
<p style="padding-left: 90px;">When you love your trash man,  tell him with your garbage.</p>
<p style="padding-left: 30px;"><strong>SX GLOBAL SHORTS</strong></p>
<p style="padding-left: 60px;"><em>A showcase for cutting-edge documentary shorts  from around the world.</em></p>
<p style="padding-left: 60px;"><strong>The Mystery of Flying Kicks (Australia)</strong></p>
<p style="padding-left: 90px;">Director: Matthew Bate</p>
<p style="padding-left: 90px;">Murder, sex, drugs, art, politics&#8230;? A film  exploring the global mystery of why shoes appear on telephone lines.</p>
<p style="padding-left: 60px;"><strong>Peter in Radioland (Scotland)</strong></p>
<p style="padding-left: 90px;">Director: Johanna Wagner</p>
<p style="padding-left: 90px;">A carefully observed study of the director&#8217;s father Peter, who  stubbornly remains in an analogue world.</p>
<p style="padding-left: 60px;"><strong>Pollphail (Scotland)</strong></p>
<p style="padding-left: 90px;">Director:  Matthew Lloyd</p>
<p style="padding-left: 90px;">A  deserted village in limbo on the west coast of Scotland where two men  share an obsession with an imagined future.</p>
<p style="padding-left: 60px;"><strong>Schlimazeltov! (UK)</strong></p>
<p style="padding-left: 90px;">Director:  Christopher Thomas Allen</p>
<p style="padding-left: 90px;">Maybe  some people are just born unlucky? An exploration of luck &#8211; does it  exist and if so how can you get more of it?</p>
<p style="padding-left: 60px;"><strong>Summer of a Newspaper Kid (Estonia)</strong></p>
<p style="padding-left: 90px;">Director: Katri Rannastu</p>
<p style="padding-left: 90px;">9-year old Marten has decided to sell newspapers  during his summer holiday. The job, boring and routine at first glance,  pushes the kid into the everyday reality of the grownup world, where he  meets competition and cheating.</p>
<p style="padding-left: 60px;"><strong>Sunrise Dacapo (12cm/Stehend) (Germany)</strong></p>
<p style="padding-left: 90px;">Director: Nina Poppe</p>
<p style="padding-left: 90px;">Nature from the assembly line. An observation on  the growing of geraniums in mass production and the coherence of noise  and silence. The beauty of nature, apparently perfectly reproduced in  artificial surroundings.</p>
<p style="padding-left: 60px;"><strong>Volta (Canada)</strong></p>
<p style="padding-left: 90px;">Director: Ryan Mullins</p>
<p style="padding-left: 90px;">Former projectionist Emmanual Agboyame and others  tell the story of the Volta cinema and look back on the sense of  community it brought out in everyone.</p>
<p style="padding-left: 30px;"><strong>SX GLOBAL SHORTS  SCREENING WITH FEATURES</strong></p>
<p style="padding-left: 60px;"><strong>Arsy-Versy (Slovakia)</strong></p>
<p style="padding-left: 90px;">Director: Miro Remo</p>
<p style="padding-left: 90px;">A Film about mom and her son Lubos, who conquered  the world upside down</p>
<p style="padding-left: 60px;"><strong>Control (Norway)</strong></p>
<p style="padding-left: 90px;">Director: Hanne Myren</p>
<p style="padding-left: 90px;">Control is about the emotions we prefer to keep  to ourselves.</p>
<p style="padding-left: 60px;"><strong>Ivan and Ivan (Russia)</strong></p>
<p style="padding-left: 90px;">Director: Philipp Abryutin</p>
<p style="padding-left: 90px;">Ivan lives with his grandparents on the tundra,  fishing and herding reindeer. He and his grandfather, Ivan senior, have  strong bonds both to the land and to each other, but soon, young Ivan  must leave.</p>
<p style="padding-left: 30px;"><strong>MUSIC VIDEOS</strong></p>
<p style="padding-left: 60px;"><em>A range of classic, innovative, and stylish work  showcasing the scope of music video culture.</em></p>
<p style="padding-left: 60px;"><strong>Apes  &amp; Androids, “Golden Prize” </strong></p>
<p style="padding-left: 90px;">Director:  That Go</p>
<p style="padding-left: 60px;"><strong>BRONTOSORUS, “Amy”</strong></p>
<p style="padding-left: 90px;">Director: Pete Scalzitti</p>
<p style="padding-left: 60px;"><strong>Chris  Garneau, “Fireflies” </strong></p>
<p style="padding-left: 90px;">Director: Daniel Stessen</p>
<p style="padding-left: 60px;"><strong>Cinnamon  Chasers, “Luv Deluxe” </strong></p>
<p style="padding-left: 90px;">Director: Saman Keshavarz</p>
<p style="padding-left: 60px;"><strong>The  Diagonals, “Clones”</strong></p>
<p style="padding-left: 90px;">Director:  Nick Smith</p>
<p style="padding-left: 60px;"><strong>Fatback Circus, “Brain Damage”</strong></p>
<p style="padding-left: 90px;">Director: Rodney Brunet</p>
<p style="padding-left: 60px;"><strong>Fires  of Rome, “Set in Stone” (M83 Remix) </strong></p>
<p style="padding-left: 90px;">Director: Matthew  Lessner</p>
<p style="padding-left: 60px;"><strong>Grizzly Bear, “Forest” </strong></p>
<p style="padding-left: 90px;">Director: Allison Schulnik</p>
<p style="padding-left: 60px;"><strong>Height,  “Mike Stone”</strong></p>
<p style="padding-left: 90px;">Director: Justin Barnes</p>
<p style="padding-left: 60px;"><strong>Heypenny,  “Copcar”</strong></p>
<p style="padding-left: 90px;">Director: Joey Ciccoline</p>
<p style="padding-left: 60px;"><strong>Hunter  Cross and the Strays, “Twisty Ties” </strong></p>
<p style="padding-left: 90px;">Director: Paul  Ahern</p>
<p style="padding-left: 60px;"><strong>Kevin  Devine, “I Could Be With Anyone” </strong></p>
<p style="padding-left: 90px;">Director: Sherng-Lee  Huang</p>
<p style="padding-left: 60px;"><strong>Man Branch, “The Gym Is All She Has”</strong></p>
<p style="padding-left: 90px;">Director: Matt Leach</p>
<p style="padding-left: 60px;"><strong>N.A.S.A.  “Spacious Thoughts”</strong></p>
<p style="padding-left: 90px;">Director: Mark Lomond</p>
<p style="padding-left: 60px;"><strong>P.O.S.  “Drumroll”</strong></p>
<p style="padding-left: 90px;">Director: Todd Cobery</p>
<p style="padding-left: 60px;"><strong>Passion  Pit, “To Kingdom Come”</strong></p>
<p style="padding-left: 90px;">Director: Mixtape Club</p>
<p style="padding-left: 60px;"><strong>Socalled,  “(Rock the) Belz” </strong></p>
<p style="padding-left: 90px;">Director: Kaveh Nabatian</p>
<p style="padding-left: 60px;"><strong>These  United States, “Everything Touches Everything”</strong></p>
<p style="padding-left: 90px;">Director: Maxwell Sorensen</p>
<p style="padding-left: 60px;"><strong>Truckers of Husk, “Person for the Person”</strong></p>
<p style="padding-left: 90px;">Directors: Casey Raymond and Ewan Jones Morris</p>
<p style="padding-left: 60px;"><strong>WHY?,  “These Hands / January Twentysomething”</strong></p>
<p style="padding-left: 90px;">Director: Ben Barnes</p>
<p style="padding-left: 60px;"><strong>Writer, “Four Letters”</strong></p>
<p style="padding-left: 90px;">Director: Brad Kester</p>
<p style="padding-left: 30px;"><strong>FUTURESTATES</strong></p>
<p style="padding-left: 60px;"><em>What is the America of the future? In this series  of fictional shorts presented by ITVS, different filmmakers examine  current events by extrapolating them into the future. By embracing  elements of speculative and science fiction, each film creates a  fantastic new world to make comment on our own.</em></p>
<p style="padding-left: 60px;"><strong>Mister Green</strong></p>
<p style="padding-left: 90px;">Director:  Greg Pak</p>
<p style="padding-left: 90px;">A parable about change in  which a jaded government undersecretary becomes the unwitting test  subject for an experimental program to curb global warming.</p>
<p style="padding-left: 60px;"><strong>Plastic Bag</strong></p>
<p style="padding-left: 90px;">Director:  Ramin Bahrani</p>
<p style="padding-left: 90px;">Struggling  with its immortality, a lost plastic bag ventures through the  environmentally barren remains of America as it narrates its search for  its master, the young woman who owned and used it in an era long since  past.</p>
<p style="padding-left: 60px;"><strong>The Rise</strong></p>
<p style="padding-left: 90px;">Director: Garret Williams</p>
<p style="padding-left: 90px;">In the radically altered housing market of the  future, an older couple must forego their dreams of retirement and home  ownership and in the process, adapt to the ever-evolving definition of  the American dream.</p>
<p style="padding-left: 60px;"><strong>Silver Sling</strong></p>
<p style="padding-left: 90px;">Director: Tze Chun</p>
<p style="padding-left: 90px;">In the polarized economy of the near future,  corporations offer subsidies to their high-ranking female employees to  pay for surrogate pregnancies and chemically accelerated births. Here a  struggling career surrogate must decide whether or not to carry the  child of two potential clients, thus giving up her last chance to have a  child of her own.</p>
<p style="padding-left: 60px;"><strong>Tent City</strong></p>
<p style="padding-left: 90px;">Director: Aldo Velasco</p>
<p style="padding-left: 90px;">In a world where housing is granted only to the  powerful few, a father who makes his living evicting the powerless must  choose between his responsibilities as a provider for his family and his  moral principles.</p>
<p style="padding-left: 60px;"><strong>Tia &amp; Marco</strong></p>
<p style="padding-left: 90px;">Director: Annie Howell</p>
<p style="padding-left: 90px;">When a pregnant border patrol agent discovers an  illegal immigrant child hiding in her home, she is forced to question  her loyalty to closed borders.</p>
<p style="padding-left: 30px;"><strong>ALAN GOVENAR SPECIAL PRESENTATION</strong></p>
<p style="padding-left: 60px;"><em>Texas Folklife will present special screenings of  the films of a Texas treasure&#8211;folklorist, writer, photographer and  filmmaker Alan Govenar. </em></p>
<p style="padding-left: 60px;"><strong>Cigarette Blues (1985)</strong></p>
<p style="padding-left: 90px;">Co-directed with Les Blank, the film features  Sonny Rhodes and the Texas Twisters performing at Eli’s Mile High Club  in Oakland, California.</p>
<p style="padding-left: 60px;"><strong>The  Devil’s Swing (2005) </strong></p>
<p style="padding-left: 90px;">The film  takes its name from a story people tell in the isolated region of the  Texas-Mexico border and reveals the seemingly unrelated worlds of sacred  rituals, corridos, drug lords, Pancho Villa and the tragic killing of a  nineteen year old boy.</p>
<p style="padding-left: 60px;"><strong>The Hard  Ride (1996) </strong></p>
<p style="padding-left: 90px;">A journey into the little  known world of the black ranch rodeo culture of Southeast Texas.</p>
<p style="padding-left: 60px;"><strong>Little Willie Eason and His Talking Gospel Guitar (2005) </strong></p>
<p style="padding-left: 90px;">Taking place on the street and in the House of  God Church south of Miami, the film highlights the man who introduced  the pedal steel guitar as an instrument for the expression of faith.</p>
<p style="padding-left: 60px;"><strong>The Microtones of Simon Shaheen (2010) </strong></p>
<p style="padding-left: 90px;">The film introduces a virtuoso of the Arabic oud  and violin, and his Palestinian community in Brooklyn.</p>
<p style="padding-left: 60px;"><strong>The Poetry of Exactitude (2008) </strong></p>
<p style="padding-left: 90px;">The film delves into the imagination of Lucien  Mouchet and the 1/120th scale carousels and fairground scenes that he  has been making in Paris, France since 1946.</p>
<p style="padding-left: 60px;"><strong>Stoney Knows How (1981) </strong></p>
<p style="padding-left: 90px;">Govenar’s  first film, is an inside look at the circus and carnival sideshow from  the point of view of Old School tattoo master, Leonard St. Clair,  disabled by arthritis at the age of four, who joined the circus as a  sword swallower as a teenager and tattooed young and old alike for more  than fifty years.</p>
<p style="padding-left: 60px;"><span style="font-size: small;"> </span></p>
</blockquote>
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