David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
David continues his exploration of the new Late Ray Eclipse Series set.
Jafar Panahi returns with yet another look at art under oppression.
A pair of cinematic slow rides through the cram-packed avenues and alleys of Egypt's capitol and the spacious majesty of the Nepalese Himalayas.
New film is one of the most original animated films in quite some time.
Documentary takes a look at a non-profit organization truly trying to help change the world.
A riveting and highly controversial Polish film is poised to challenge our assumptions about what happened in that nation's murky, war-torn past.
LaMarque's directorial debut knows not what tone it seeks to strike nor even the story it wants to tell.
Coincidence and catastrophe collide in Betbeder's intimate epic.
There are truly few films quite like this stayed and unforgettable dry comedy.
Director Barmak Akram's new film is yet another look into modern day relationships in the Middle East.




