Joshua Reviews Atom Egoyan’s Guest Of Honour [Theatrical Review]
byDirector Atom Egoyan returns with a fascinating new drama starring David Thewlis.
Theatrical Film Reviews
Joshua Reviews Natalie Erika James’ Relic [Theatrical Review]
byThis claustrophobic thriller is one of 2020’s great discoveries and one of its very best horror films.
Joshua Reviews Jen Rainin’s Ahead Of The Curve
byAs Pride Month comes to a close, one of the great LGBTQ+ documentaries of 2020 arrives.
Joshua Reviews Josephine Decker’s Shirley [Theatrical Review]
byThe latest from director Josephine Decker is a haunting, often dream-like riff on the life, and more so the work, of one of America’s great authors.
Joshua Reviews Andrew Patterson’s The Vast Of Night [Theatrical Review]
byMarking the debut of director Andrew Patterson, The Vast of Night is a fascinating, if thin, period science-fiction picture.
Joshua Reviews Michael Winterbottom’s The Trip To Greece [Theatrical Review]
byThe final chapter in the Trip franchise is a provocative, yet endlessly charming, buddy comedy that’s much deeper than meets the eye.
Joshua Reviews Dan Sallitt’s Fourteen [Theatrical Review]
byDan Sallitt returns with a beautiful and heartbreaking exploration of time and friendship.
Joshua Reviews Drake Doremus’ Endings Beginnings [Theatrical Review]
byDrake Doremus returns with a new Shailene Woodley-starring romantic drama.
Joshua Reviews Neasa Hardiman’s Sea Fever [Theatrical Review]
byThis new eco-horror film is rooted heavily in classics like The Thing and Alien, yet frustratingly can’t leave those influences aside.
Joshua Reviews Chris Durrance And Barak Goodman’s Slay The Dragon [Theatrical Review]
byThis new documentary looks at the rise of gerrymandering, and its impact on politics in the US writ-large.
Joshua Reviews Katrine Philp’s An Elephant In The Room [Theatrical Review]
byWinner of the top documentary prize at this year’s SXSW Film Festival, this new documentary is a transfixing look at grief as seen through the eyes of children.
Joshua Reviews Ken Loach’s Sorry We Missed You [Theatrical Review]
byKen Loach returns with a empathy-fueled rumination on the gig economy that’s an undeniable must-see.
Joshua Reviews Corneliu Porumboiu’s The Whistlers [Theatrical Review]
byPorumboiu returns with a pulpy film noir pastiche that’s one of the early must-see films of 2020.
Joshua Reviews Angela Schanelec’s I Was At Home, But… [Theatrical Review]
byAngela Schanelec’s latest film is one of her most personal, a touching and challenging rumination on grief that’s maybe her greatest achievement yet.
Joshua Reviews Jeremy Teicher’s Olympic Dreams [Theatrical Review]
byThe first feature to be shot at The Olympics, Olympic Dreams is a moving, tender take on the romantic comedy.
Joshua Reviews Horace B. Jenkins’ Cane River [Theatrical Review]
byHorace B. Jenkins’ long-forgotten masterpiece returns to theaters in a glorious new new restoration from Oscilloscope.