An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
This time on the show, Ryan, James, and Travis chat about a number of films and shows that they've been watching, including Sherlock Series 2, The Dark Knight Returns, and Doctor Who.
Your nightly gathering of Criterion (and nerdier film) related links from around the web today.
The critical darling is one of the most original pieces of cinema you'll see all year.
Did the rumors of that proposed sequel come out? Is Wallace Shawn still have that voice? Is Cary Elwes handsome as ever?
From Variety's acquisition to Jurassic Park 4 concept art, here are a number of film news (& non-news) links that Ryan has collected.
With Josh on vacation this week, Ryan attempts to collect all of the news fit to print. Or re-print.
New documentary attempts to paint the most fair and balanced look at the economic crisis and the attack against the middle class of this country.
He also attempts to explain how the film manages to avoid crashing with a thud in spite of its inherent cognitive dissonance.
Frank Borzage's 1937 melodrama is exemplary of a grand 1930s Hollywood production.
The third film from Rian Johnson is an assured piece of sci-fi fare that manages to be invigorating even as it stumbles.
David Blakeslee
Ryan Gallagher
Joshua Brunsting
James McCormick
Scott Nye
Catherine Stebbins