CriterionCast

The Eclipse Viewer – Episode 38 – Raffaelo Matarazzo’s Runaway Melodramas

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This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 27: Rafaello Matarazzo’s Runaway Melodramas.

About the films:

In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of director Raffaello Matarazzo. Though turning to neorealism for character types and settings, these haywire hits about splintered love affairs and broken homes, all starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism. Four of them are collected here, chronicles of men and women on long and serpentine roads to redemption, each less restrained and more wildly fun than the last.

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Buy The Box Set On Amazon:

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Episode Links

Rafaello Matarazzo

Titanus Studios

Box Set Reviews

Chains

Raffaello Matarazzo’s “Catene”: Introduction and Panel from Casa Italiana Zerilli-Marimò on Vimeo.

Tormento

Nobody’s Children & The White Angel

 

Next time on the podcast: Eclipse Series 21: Oshima’s Outlaw Sixties 

Contact us

David Blakeslee

David hosts the Criterion Reflections podcast, a series that reviews the films of the Criterion Collection in their chronological order of release. The series began in 2009 and those essays (covering the years 1921-1967) can be found via the website link provided below. In March 2016, the blog transferred to this site, and in August 2017, the blog changed over to a podcast format. David also contributes to other reviews and podcasts on this site. He lives near Grand Rapids, Michigan and works in social services. Twitter / Criterion Reflections