CriterionCast

The Eclipse Viewer – Episode 55 – Julien Duvivier in the Thirties [Part 2]

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this first episode of a two-part series, David and Trevor discuss two films (La tête d’un homme and Un carnet de bal) from Eclipse Series 44: Julien Duvivier in the Thirties.

About the films:

Remembered primarily for directing the classic crime drama Pépé le moko, Julien Duvivier was one of the finest filmmakers working in France in the 1930s. Thanks to a formidable innate understanding of the cinematic medium, Duvivier made the transition from silents to talkies with ease, marrying his expressive camera work to a strikingly inventive use of sound with a singular dexterity. His deeply shadowed, fatalistic early sound films David Golder and La tête d’un homme anticipate the poetic realist style that would come to define the decade in French cinema and, together with the small-town family drama Poil de Carotte and the swooning tale of love and illusion Un carnet de bal, showcase his stunning versatility. These four films—all featuring the great stage and screen actor Harry Baur—are collected here, each evidence of an immense and often overlooked cinematic talent.

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Episode Links

Julien Duvivier

Box Set Reviews

La tête d’un homme

Un carnet de bal

Next time on the podcast: Eclipse Series 7: Postwar Kurosawa [Part 1]

Contact us

David Blakeslee

David hosts the Criterion Reflections podcast, a series that reviews the films of the Criterion Collection in their chronological order of release. The series began in 2009 and those essays (covering the years 1921-1967) can be found via the website link provided below. In March 2016, the blog transferred to this site, and in August 2017, the blog changed over to a podcast format. David also contributes to other reviews and podcasts on this site. He lives near Grand Rapids, Michigan and works in social services. Twitter / Criterion Reflections

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