An unsung gem from last year finally arrives on home video.
Reviews
Joshua Brunsting
David Reviews Pierre Étaix’s LE GRAND AMOUR [Theatrical Review]
Though it's already too late to catch this film on the big screen in Portland, we're less than a week away from its availability on home video.
David Blakeslee
David Reviews Pierre Étaix’s YOYO [THEATRICAL REVIEW]
With a new Criterion box set on the way, this comedic masterpiece from 1965 is slated for big screen showings in Portland later this week.
Joshua Reviews Danny Boyle’s Trance [Theatrical Review]
Is the film yet another misfire for director Danny Boyle?
Scott Reviews Pierre Étaix’s As Long As You’re Healthy [Theatrical Review]
Film will play at Portland's Northwest Film Center as part of the touring Pierre Étaix retrospective.
Scott Nye
Scott Reviews Claude Chabrol’s Le Beau Serge and Les Cousins [Masters of Cinema Blu-ray Review]
Chabrol's closely-knit first two films are available on DVD and Blu-ray for the first time in the U.K.
Joshua Reviews The Little Fugitive [Blu-ray Review]
New Blu-ray for this legendary drama is a definitive release of an unsung gem.
Scott Reviews Pablo Berger’s Blancanieves [Theatrical Review]
This Spanish silent feature is magical, mysterious, and enthralling - in other words, a fairy tale.
Joshua Reviews Robert Bresson’s A Man Escaped [Blu-ray Review]
Could this be Criterion's best release this March?
Joshua Reviews Matteo Garrone’s Reality [Theatrical Review]
Garrone's follow-up to Gomorrah, can this film live up to the hype?
Joshua Reviews Xavier Dolan’s I Killed My Mother [Theatrical Review]
Dolan's debut feature finally makes its way to shores, but does it live up to the hype?
Joshua Reviews Terrence Malick’s Badlands [Blu-ray Review]
One of Criterion's most anticipated releases may also be one of its best.
Joshua Reviews James W. Horne’s College [Blu-ray Review]
The new Blu-ray is yet another top notch Buster Keaton release from Kino that deserves more attention.
Scott Reviews Juan Solanas’ Upside Down [Theatrical Review]
The sci-fi romance that lacks ideas and heart.
Catherine Reviews Sam Raimi’s Oz the Great and Powerful [Theatrical Review]
Disney teams up with Sam Raimi in the hopes of reigniting the magic of Oz, à la 2010’s decidedly unmagical Alice in Wonderland.
Catherine Stebbins