David Gordon Green is a favorite filmmaker with our writers here at Criterion Cast. With his sudden emergence in the world of comedic film and television (Pineapple Express and his run on Eastbound and Down) and his upcoming comedic homage to films such as Excalibur, Krull and Conan, Your Highness, seems to be another in the line of raunchy comedies with a lot of pot references. Not that there’s anything wrong with it.
But before these ventures, he was known in the indie film world as a wonderful director of small, tightly knitted films dealing with loss, heartbreak and friendship. His first feature length film, George Washington, is well deserved in the Criterion Collection, which brings us to the article at hand. The first installment in For Criterion Consideration is Green’s 2004 film Undertow. Sadly it’s a film that’s almost gone unnoticed since coming out, quietly going in and out of theaters (making less than $150,000 in its run), and just calls for the recognition it so rightly deserves.
Undertow tells the story of Chris Munn (Jamie Bell), who is a troubled teen who can’t help but be restless. He lives in an isolated part of Georgia, with his brother Tim (Devon Alan) and father John (Dermot Mulroney). John’s brother, Deel (Josh Lucas), comes back into his life, causing tension in the family. He’s there to get these gold coins John has, and finds them behind a family portrait. In a struggle for them, Deel kills John and goes to kill his sons, but they escape and take the gold with them. And the adventure continues, with a varying array of characters while Deel is still on the chase for them.
It has some great performances, especially from Jamie Bell and Josh Lucas. Jamie Bell, who is now Tintin in the new films based on Herge’s classic series, captures the angst of a teen so well, I know for a fact after seeing this film, I couldn’t wait to see him in much more. Josh Lucas is haunting, almost demonic, as Deel and captures the spirit of Robert Mitchum’s Harry Powell from Charles Laughton’s Night of the Hunter, which it borrows a bit from. I definitely don’t want to forget about Kristen Stewart, who of course is famous for the Twilight films, is fantastic as Lila.
It’s also produced by Terrence Malick, a recent dual Criterion Collection filmmaker, so it showed his faith in this project, someone who takes a decade or two sometimes to make another film. I think that pedigree just shows why the film has a spot waiting for it in the collection. Also, I think it might be easier to get the rights due to MGM releasing the original DVD of the film, which had a great edition. Hopefully Criterion would be able to retain the commentary from this release, unless they got David Gordon Green back for a new retrospective commentary and documentary.
So Criterion, please consider the film Undertow for the collection. I think it’s ripe for discovery from the fans and collectors who buy the films you put out there. It also has what I think is one of the greatest intros/credit sequence I’ve seen in the last decade. Hands down.
Do you have any films you’d like to see in the Criterion Collection? Send us your feedback and discuss with one another what makes a film a perfect fit for the collection.
In all honesty, Undertow is a good film, but not great, or at least, not DGG great. It does deserve a place in the Criterion Collection, but All the Real Girls should be prioritized for the CC treatment before Undertow.
Why would films readily available on DVD be considered for the Criterion Collection? Seems odd. Would future cinephiles be thanking Criterion Collection for bringing to their attention new editions of readily available films? It just doesn’t seem to mesh with the reason why the company got its reputation to begin with. Broadcast News. For starters, ‘half of Raul Ruiz’s oeuvre’. That’s a good start. Lopushansky’s Visitor of a Museum would be amazing. Angelopoulos’ The Traveling Players. Sokurov’s Whispering Pages (or any of his older work). In fact, with reference to Sokurov, I think that there should be a law passed that says that any film that earned the right to be banned by the Soviets deserves to be constantly in print on DVD. It is the responsibility of us as supposedly free people to give voice to those who struggled without it. Instead, we are oppressed by the strangling oppressiveness of profit margins and Broadcast News reissues.
I remember Undertow as an unsatisfying mess. How could that kid keep eating paint and not drop dead? All The Real Girls is much more deserving of a Criterion Edition.
Undertow is a good choice, Snow Angels would be a great one too, Warner gave it a shitty DVD release. My number 1 pick for Criterion consideration is The Assassination of Jesse James by the Coward Robert Ford. Warner’s did another shitty release with that, esp the video of the Blu-ray. I would LOVE to see the rumored 4 or 5 hour original cut of that film…
And there were no readily available copies of DAZED & CONFUSED before Criterion released it?
I agree that Snow Angels and All the Real Girls also have a place in the Collection, if Criterion deems them fit. I agree with you, Mike, The Assassination of Jesse James by the Coward Robert Ford is aching for a proper release with actual extras. Sadly, Warner will not give up the rights for that one at all.
Also, with films that are readily available on DVD, many films in the collection were already available on DVD beforehand. Night of the Hunter was one of the recent ones, which is stunning, but there is a DVD that was available that just kind of was ‘there’. Easy Rider, in the new box set, is readily available, and is a landmark of film making. Remember, these are all opinion, and especially when it comes to a film maker who most know only for his stoner comedies, I think some real insight into DGG’s catalog of film before Pineapple Express is worth looking into.
I agree with you Brad, not sure why that kid kept eating paint and didn’t die.
I would like to see Undertow in the Collection. I thought it an excellent film and well underrated. Ebert did give it props though.
The #1 film I want to see added to the Criterion Collection in Martin Scorsese’s Kundun.
I’m not saying it was their proudest moment, but as the days roll on it’s moving closer and closer to being their proudest moment, in relation to their current slate of choices. The world is not gray, but the value of Criterion is dimming while the value of some of the boutique labels – and especially the several strong British labels – is growing.
its called pica http://en.wikipedia.org/wiki/Pica_(disorder) …I think paints made after a certain year are made with non-poisonous materials (not that they arent unhealthy or dangerous, but they probably wont kill someone within a short time period)
Oh yeah, that’s why I love Masters of Cinema. They’re friends with Criterion, but I think their choices are sometimes more diverse and films that most haven’t seen proper copies of.
James I havent heard that WB would not give up the rights to Jesse James, I dont see why they want to hold them… they did a shitty job promoting the film when it was in theaters and the same with DVD, plus it is not like they put any money into the Blu (or DVD release)…If Paramount was willing to give the rights of Ben Button to Criterion WB should be willing for Jesse James…