David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
Abdellatif Kechiche's new film may be over-hyped, but to me it's just right.
Do operating systems dream of real love? Spike Jonze's beautifully realized pastel romance deals with loneliness in a near-utopian future and goes for big ideas but keeps it intimate.
Here are five films to keep you busy this weekend.
Orson Welles' unsung post-war masterpiece finally gets the Blu-ray it deserves from Kino.
Criterion to leave long-time distribution partner in the coming year.
Chandor's sophomore feature is another admirable effort, but falls well short of its ambitions.
Steve McQueen's brutally direct take on slavery confronts inherent contradictions, survival in the face of utter despair, and salvation against all hope.
Jarmusch's vampire movie sets a minimalist mood, and Swinton and Hiddleston make it look good.
This forgotten genre classic gets a much needed day in the spotlight thanks to a gorgeous, if bare bones, release from Kino.
Curtis Harrington's debut feature film takes a page out of Val Lewton's book of atmospherics and becomes a tone horror poem of the highest regard.

