Director Peter Strickland’s gorgeously strange and sensuous new film is not to be missed.
Sean Hutchinson
Sean Hutchinson
Sean Reviews Monte Hellman’s The Shooting and Ride in the Whirlwind [Criterion Blu-ray Review]
These long-unseen "acid westerns" mosey into the Collection.
Sean Reviews Olivier Assayas’ Clouds of Sils Maria [NYFF 2014]
A mesmerizing drama of oblique emotions and gorgeous visuals.
Sean Reviews Mike Leigh’s Mr. Turner [NYFF 2014]
Mike Leigh's Mr. Turner strives to leave a lasting impression.
Sean Reviews Jean-Pierre and Luc Dardenne’s Two Days, One Night [NYFF 2014]
Have the Dardenne brothers scaled back a bit too much this time?
Sean Reviews Albert Maysles’ Iris [NYFF 2014]
Albert Maysles turns his camera towards the "Rare bird of fashion."
Sean Reviews Jean-Luc Godard’s Goodbye to Language [NYFF 2014]
Turns out you can teach an old dog new tricks, but Godard is still saying the same things he has been for 25 years--now in 3D!
Sean Reviews Noah Baumbach’s While We’re Young [NYFF 2014]
Baumbach's embarrassing and tone-deaf follow up to Frances Ha is painfully unfunny and thematically empty.
Sean Reviews David Lynch’s Eraserhead [Blu-Ray Review]
The twisted and beautiful world of David Lynch is finally in the Collection.
Sean Reviews David Fincher’s Gone Girl [NYFF 2014]
Another mesmerizing thriller from David Fincher, Gone Girl is outstanding in ways you least expect.
Sean Reviews Terry Gilliam’s The Zero Theorem [Theatrical Review]
Gilliam's spiritual successor to Brazil attempts to update that film's message to the 21st century.
Sean Reviews Alfonso Cuarón’s Y tu mamá también [Dual-Format Review]
Five years after it was first announced, Alfonso Cuarón's international smash hit finally makes its way to the Collection.
Sean Reviews David Mackenzie’s Starred Up [Theatrical Review]
This raw and volatile prison drama features an exhilarating performance from newcomer Jack O'Connell