David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Here are five films to add to your weekend watch list.
The horror anthology hits Blu-ray thanks to Kino and their Mario Bava Collection sereis.
Criterion kicks off their second half with a brilliant new release of a masterwork from auteur Kenji Mizoguchi.
From panels to pre-orders to exclusives, there is a lot to find at Comic Con 2013 if you're into collecting physical media for your shelves.
Guillermo Del Toro's new summer popcorn flick is disappointing and cacophonous.
A swift-moving introduction to avant-garde film from the perspective of someone raised from childhood in that scene.
The joy and sorrow of Murnau's final film continues to resonate in MoC's spectacular new Blu-ray.
Collecting the best DVD and Blu-ray deals around the web.
Matias Pineiro brings us what may be the best film of 2013 so far, that you may not have heard of.



