David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Director looks to take a giant step into the political world with new film.
Found footage films are a dime a dozen now, with many just using the genre as an easy way to make a quick buck and a cheap way of doing so. Thankfully, Mr. Jones is not one of those films.
New film from Claude Lanzmann to premiere as well.
Don't expect Criterion to be getting its hands on this anytime soon.
Here are five things to make staying inside this weekend a bit more enjoyable.
Richard Linklater, Ethan Hawke and Julie Delpy are back again, 9 years later, in Before Midnight. James loved the first two. Third time's a charm?
"The only thing maniacs are afraid of is other maniacs." Truer words have never been said.
A surreal and demented short film from Vice editor Emily Wilson. A short film that I wish had a longer running time.
Sometimes waking up a little bit late and missing your first intended press screening is a blessing in disguise.
Michael Bay's latest is a masterful evisceration of the commercialized American Dream.
David Blakeslee
Ryan Gallagher
Joshua Brunsting
James McCormick
Scott Nye