David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
This week on the podcast, Ryan, James, and Travis are joined by Justin Vactor to discuss what they've been watching over the past week.
Here are some links that I've found over the past few days. Enjoy!
The film is Linklater's return to Texas, and it's not at all what you'd expect. And that's not always a good thing.
HBO screened the first three episodes, and they are brilliant. Which is putting it lightly.
This is the first film from director Rebecca Thomas, and it's one hell of a debut.
The Oscar nominee makes its way to Austin, and it may be the best film at the festival.
Film is the latest from '28 Weeks Later' and 'Intacto' director Juan Carlos Fresnadillo
This week on the podcast we discuss the new DVD and Blu-ray releases for the week of March 13th.
I've been slacking with my link posting duties, but here I am, with several days of links, to keep you reading.
March is Women's History Month, as if you needed any more justification for exploring great feminist cinema.
David Blakeslee
Ryan Gallagher
Joshua Brunsting