Eugenio Mira establishes a real taut flair with Grand Piano which always remains entertaining, even at its weakest.
Theatrical Film Reviews
Catherine Stebbins
Joshua Reviews Greg Williams’ The Anonymous People [Theatrical Review]
New documentary looks at addiction and recovery.
Joshua Brunsting
Joshua Reviews Arild Østin Ommundsen’s It’s Only Make Believe [Theatrical Review]
New film from first time director Ommundsen is a cliche-ridden, but visually striking, character study.
Scott Reviews Philippe Le Guay’s Cycling with Moliere [PIFF Review]
The low-key French drama uses the theatre to reveal the inner lives of those who perform it.
Scott Nye
Scott Reviews Jenée LaMarque’s The Pretty One [Theatrical Review]
LaMarque's directorial debut knows not what tone it seeks to strike nor even the story it wants to tell.
Joshua Reviews Pat Kiely’s Three Night Stand [Slamdance Review]
Slamdance 2014 is the home for this new romantic comedy from writer/director Pat Kiely.
Joshua Reviews David Beilinson, Michael Galinsky And Suki Hawley’s Who Took Johnny? [Slamdance Review]
New documentary may be the best documentary from a loaded Slamdance slate.
Joshua Reviews Fernando Frias’ Rezeta [Slamdance Review]
Romantic comedy may be one of the best films out of this year's Slamdance slate.
Joshua Reviews Nailah Jefferson’s Vanishing Pearls [Slamdance Review]
New documentary bows at this year's Slamdance Film Festival.
Joshua Reviews David McMahon’s Skanks [Slamdance Review]
New documentary makes its world premiere at this year's Slamdance Film Festival
Joshua Reviews Jaret Belliveau And Matthew Bauckman’s Elliot [Slamdance Review]
Film looks at a man trying to be the first great Canadian action hero, one lie at a time.
Joshua Reviews Hirokazu Kore-eda’s Like Father, Like Son [Theatrical Review]
Hirokazu Kore-eda's latest film is the first must-see film of this new year.
Scott Reviews Victor Fleming’s Mantrap [Theatrical Review]
The Clara Bow silent comedy plays at the Northwest Film Center this weekend.
Scott Reviews Mark Kendall’s La Camioneta [Theatrical Review]
The new documentary plays at the Northwest Film Center this weekend.
Scott Reviews Alain Resnais’s Le Chant du Styrène [Theatrical Review]
See Resnais's amazing documentary at the Northwest Film Center.