New documentary looks at addiction and recovery.
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Arild Østin Ommundsen’s It’s Only Make Believe [Theatrical Review]
New film from first time director Ommundsen is a cliche-ridden, but visually striking, character study.
Scott Reviews Philippe Le Guay’s Cycling with Moliere [PIFF Review]
The low-key French drama uses the theatre to reveal the inner lives of those who perform it.
Scott Nye
Scott Reviews Jenée LaMarque’s The Pretty One [Theatrical Review]
LaMarque's directorial debut knows not what tone it seeks to strike nor even the story it wants to tell.
Joshua Reviews Pat Kiely’s Three Night Stand [Slamdance Review]
Slamdance 2014 is the home for this new romantic comedy from writer/director Pat Kiely.
Joshua Reviews David Beilinson, Michael Galinsky And Suki Hawley’s Who Took Johnny? [Slamdance Review]
New documentary may be the best documentary from a loaded Slamdance slate.
Joshua Reviews Fernando Frias’ Rezeta [Slamdance Review]
Romantic comedy may be one of the best films out of this year's Slamdance slate.
Joshua Reviews Nailah Jefferson’s Vanishing Pearls [Slamdance Review]
New documentary bows at this year's Slamdance Film Festival.
Joshua Reviews David McMahon’s Skanks [Slamdance Review]
New documentary makes its world premiere at this year's Slamdance Film Festival
Joshua Reviews Jaret Belliveau And Matthew Bauckman’s Elliot [Slamdance Review]
Film looks at a man trying to be the first great Canadian action hero, one lie at a time.
Joshua Reviews Hirokazu Kore-eda’s Like Father, Like Son [Theatrical Review]
Hirokazu Kore-eda's latest film is the first must-see film of this new year.
Scott Reviews Victor Fleming’s Mantrap [Theatrical Review]
The Clara Bow silent comedy plays at the Northwest Film Center this weekend.
Scott Reviews Mark Kendall’s La Camioneta [Theatrical Review]
The new documentary plays at the Northwest Film Center this weekend.
Scott Reviews Alain Resnais’s Le Chant du Styrène [Theatrical Review]
See Resnais's amazing documentary at the Northwest Film Center.
Joshua Reviews Janis Nords’ Mother, I Love You [Theatrical Review]
Latvia's Oscar entry for Best Foreign Language film is yet another bit of proof that the Academy Of Motion Pictures Arts And Sciences never quite gets it right, as this is more than deserving of a nomination.