Could this be Refn's best film to date, or his biggest disappointment?
Theatrical Film Reviews
Joshua Brunsting
Joshua Reviews Joshua Oppenheimer’s The Act Of Killing [Theatrical Review]
Could this be as groundbreaking a documentary as it has been billed as? Short answer: Yes.
Scott Reviews Joshua Oppenheimer’s The Act of Killing [Theatrical Review]
This might be the best documentary, and one of the best films, of the year.
Scott Nye
Catherine Reviews Guillermo Del Toro’s Pacific Rim [Theatrical Review]
Guillermo Del Toro's new summer popcorn flick is disappointing and cacophonous.
Catherine Stebbins
Joshua Reviews Matias Pineiro’s Viola [Theatrical Review]
Matias Pineiro brings us what may be the best film of 2013 so far, that you may not have heard of.
Joshua Reviews Daisy von Scherler Mayer’s Some Girl(s) [Theatrical Review]
The film is an adaptation of Neil LaBute's great stage play.
Joshua Reviews Josh Fox’s Gasland Part II [Theatrical Review]
The film airs on HBO at 8pm Monday night.
Joshua Reviews Xavier Dolan’s Laurence Anyways [Theatrical Review]
Dolan's new film is, without a doubt, the young filmmaker's most assured film.
James Reviews Joss Whedon’s Much Ado About Nothing [Theatrical Review]
In the amount of time it takes some people to get over the flu, Joss Whedon took his break between finishing filming The Avengers to the start of editing to make a Shakespearean adaptation. Does he do the Bard justice?
James McCormick
Joshua Reviews Zack Snyder’s Man Of Steel [Theatrical Review]
Could this revitalize the Superman franchise?
Joshua Reviews Katherine Fairfax Wright And Malika Zouhali-Worrall’s Call Me Kuchu [Theatrical Review]
Is this the best documentary so far in 2013?
Joshua Reviews Cindy Kleine’s Andre Gregory: Before And After Dinner [Theatrical Review]
This film comes from the stage legend's very own wife.
Joshua Reviews Geoffrey Fletcher’s Violet And Daisy [Theatrical Review]
From Oscar winning writer to first time director, this is Fletcher's debut directorial outing.
Scott Reviews Joss Whedon’s Much Ado About Nothing [Theatrical Review]
The modern adaptation avoids many of the pitfalls of the genre, while highlighting so many of the attributes of the text.