Jumping from VOD to theaters, this taut and intense thriller is the best thing arriving this weekend.
Theatrical Film Reviews
Joshua Brunsting
Catherine Reviews Kim Ki-duk’s Pietà [Theatrical Review]
Beating The Master for the coveted Golden Lion at last year's Venice Film Festival, Kim Ki-duk's Pietà is emptily repugnant with no return value.
Catherine Stebbins
Joshua Reviews J.J. Abrams’ Star Trek Into Darkness [Theatrical Review]
Is this the best Trek film of all time or is it the first real disappointment of 2013?
Joshua Reviews Baz Luhrmann’s The Great Gatsby [Theatrical Review]
The Great American Novel gets its first big screen adaptation in nearly four decades.
Joshua Reviews Judy Chaikin’s The Girls In The Band [Theatrical Review]
Documentary looks at the importance of women in jazz music history.
Scott Reviews Sarah Polley’s Stories We Tell [Theatrical Review]
Polley's third feature, and first documentary, is an earnest affair. And yet...
Scott Nye
Scott Reviews Ben Wheatley’s Sightseers [Theatrical Review]
Wheatley's follow-up to his 2011 triumph, Kill List, is nearly as twisted, and sharply hilarious.
Joshua Reviews D.W. Young’s The Happy House [Theatrical Review]
New indie thriller will be interesting counter-programming for those not ready for the summer film season to start.
Joshua Reviews Ron Morales’ Graceland [Theatrical Review]
This is an early contender for this year's best thriller.
James Reviews Emily Wilson’s Picnic Table [Film Review]
A surreal and demented short film from Vice editor Emily Wilson. A short film that I wish had a longer running time.
James McCormick
Scott Reviews Michael Bay’s Pain & Gain [Theatrical Review]
Michael Bay's latest is a masterful evisceration of the commercialized American Dream.
Scott Reviews Jeff Nichols’ Mud [Theatrical Review]
The writer/director's third feature is his most complacent, and least interesting.
James Reviews Joseph Kosinski’s Oblivion [Theatrical Review]
James takes on Joseph Kosinski's newest film. He didn't have much luck the first time. What's in store for him this time around?
Catherine Reviews Brandon Cronenberg’s Antiviral [Theatrical Review]
Brandon Cronenberg's debut may not be able to capitalize on its potential, but its ideas and lead actor carry it through a steady intrigue.