David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
Truffaut's fourth film deals with modern romance, in all its inconvenience.
This early silent film of Dreyer's presents as a stage-bound, conventional family drama, but it functions as an artistic breakthrough that set the stage for bolder masterpieces yet to come.
This month on the Newsstand, Ryan is joined by Scott Nye and Sean Hutchinson to discuss the July 2014 Criterion Collection line-up, as well as the latest in Criterion rumors, Hulu deals, and home video announcements.
New documentary looks to see if there is a scientific approach one can take in today's dating world.
With a return to Cannes imminent for director Ceylan, we look at the director's third film.
Harold Lloyd stands above the rest.
The two-part series also includes films inspired by Fassbinder's work.
Soderbergh's edit cuts the 3+ hour film down to 108 minutes.
Linklater's already acclaimed new film will have it's New York premiere at the fest.
Kechiche's new film is his own spin on a French novel.


