David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
Another unsung Scorsese gem gets some love this week.
David and Trevor wrap up their discussion of Eclipse Series 1: Early Bergman, focusing on THIRST and TO JOY, the last two films in that set.
Frank Serpico's conscience was clean, and now, so is this transfer.
Lubitsch's early silent films prove illuminating to his better-known works, and are incredibly entertaining in their own right.
Fascinating and unsettling, Glazer's first film in over ten years is a must-see.
Don't like wrestling? Here's what you should be watching this weekend.
Martin Scorsese's black comedy is now out on Blu-ray, and we have a copy to giveaway!
With Wrestlemania XXX this Sunday, what else would you expect us to cover this week?
Anthony Chen's debut feature takes a look at a financial crisis through the lens of a familial one.
Sofia Coppola's unsung masterpiece is one of the best films of the Aughts.


