David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Collecting the best DVD and Blu-ray deals around the web this week.
In honor of the release of The Lone Ranger this holiday week, here are five Westerns to watch this weekend.
It's about time Sokurov's masterpiece gets a Criterion Collection Blu-ray.
Collecting the best disc deals around the web for the week.
A beautiful introduction to a versatile filmmaker's too-short career.
Rossellini's rare foray into comedy is as sharp and imaginative as his more dramatic affairs.
Mizoguchi's penultimate film of the 1940s captures postwar Japan at a fragile tipping point, setting the stage for his triumphs of the 1950s such as The Life of Oharu - coming soon to the Criterion Collection.
Dolan's new film is, without a doubt, the young filmmaker's most assured film.


