An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
One of the most influential voices in the expansion of Japanese culture has passed away.
At ninety, the legendary filmmaker continues to surprise, astonish, and move.
Andrew takes a look at the new film from the director of 4 Months, 3 Weeks And 2 Days, which just screened at the Portland International Film Festival
After seeing Compliance 3 times, James finally has the guts to sit down and write out his review.
A humanistic and moving Senegalese film about immigrating from West Africa to Spain in a dangerous sea voyage.
On this week's episode of The Newsstand, Ryan, Travis, and James discuss a handful of film related news stories from the past few weeks.
James takes a look at Paul Schrader's second feature and hopes for the Criterion treatment.
A visionary and ambitious documentary that nudges us to ponder the mystery of existence.
With the festival's conclusion, they shine a light on the best of the best from this year's Berlinale.
A fascinating Japanese amalgamation of crime-suspense, romantic comedy and social satire.








