Polanski's adaptation is a sexually-tinged delight.
Sean Hutchinson
Sean Hutchinson
Sean Reviews Sam Taylor and Fred Newmeyer’s The Freshman [Dual-Format Review]
Harold Lloyd stands above the rest.
FilmLinc Announces Complete Rainer Werner Fassbinder Retrospective
The two-part series also includes films inspired by Fassbinder's work.
Steven Soderbergh Cuts His Own Version of Michael Cimino’s Heaven’s Gate
Soderbergh's edit cuts the 3+ hour film down to 108 minutes.
Richard Linklater’s Boyhood to Open BAMcinemaFest 2014
Linklater's already acclaimed new film will have it's New York premiere at the fest.
Abdellatif Kechiche To Follow Up Blue is the Warmest Color with The Wound
Kechiche's new film is his own spin on a French novel.
Sean Reviews Roman Polanski’s Tess [Dual Format Review]
This stately epic of sexual identity is perhaps Polanski's most overlooked film.
Sean Reviews Jonathan Glazer’s Under the Skin [Theatrical Review]
Fascinating and unsettling, Glazer's first film in over ten years is a must-see.
Sean Reviews Lars von Trier’s Nymphomaniac Vols. I & II [Theatrical Review]
Sometimes being a provocateur works and sometimes it doesn't.
Sean Reviews Richard Ayoade’s The Double [New Directors/New Films Review]
The Double is a daring and assured sophomore effort from Richard Ayoade.
Sean Reviews Wes Anderson’s The Grand Budapest Hotel [Theatrical Review]
Anderson's new film is a confectionary caper of the highest order.
Sean Interviews Programmer Caryn Coleman for Nitehawk Cinema’s Angelo Badalamenti Mini-Retrospective
Nitehawk Cinema in Brooklyn will screen five films to celebrate the career of composer Angelo Badalamenti.
Paolo Sorrentino To Shoot New Film In May Starring Michael Caine
In the Future will be Sorrentino's second English-language film.