The eclectic director of People on Sunday gets some much-needed appreciation.
Sean Hutchinson
Sean Hutchinson
Sean Reviews Clio Barnard’s The Selfish Giant [Theatrical Review]
Barnard's new film is miserable for the sake of being miserable.
Sean Reviews Robert Altman’s Nashville [Blu-ray Review]
Nashville is a singular film from a singular director, and it has finally taken its rightful place in the Criterion Collection.
U.S. Release Date for Lars von Trier’s Nymphomaniac Announced
Four whole hours, two separate films, one nymphomaniac.
Martin Scorsese-Curated Series of Polish Films to Screen at Film Society
Andrzej Wajda, Krzysztof Kieslowski, and more.
Sean Reviews Roman Polanski and Frank Simon’s Weekend of a Champion [Theatrical Review]
The "lost" Polanski film races into theaters and makes for a completist's oddity.
Sean Reviews Michel Gondry’s Is the Man Who Is Tall Happy? [Theatrical Review]
Gondry's newest doc may require you to think, but it's well worth it.
Sean Reviews Noah Baumbach’s Frances Ha [Blu-ray Review]
Frances may be undateable, but the movie is delightfully watchable.
František Vláčil’s Debut Film Given New Restoration in the UK
Hopefully this means we'll get more of the Czech director's films in the Collection.
Sean Reviews Paolo Sorrentino’s The Great Beauty [Theatrical Review]
Sorrentino's outlandish epic is a lot to take in, but lives up to its title in more ways than one.
Sean Interviews The Great Beauty Director Paolo Sorrentino
Sean chats with the director about his collaborations, the soundtracks to his films, and what we can expect from the film's eventual Criterion Collection release.
BAMcinématek Announces “Kid Stuff” Film Series
The kid-centric group of films screening in the series also happen to be Criterion Collection titles.
BAMcinématek to Hold First Full-Career Retrospective for Czech New Wave Director Jan Němec
The enfant terrible of the Czech New Wave comes to the BAMcinématek.
Film Society of Lincoln Center to Present Ozu-Inspired Series of Films
This extraordinary group of films is timed to the 110th anniversary of Ozu’s birth and the 50th anniversary of his death.