The Criterion Collection’s new Blu-ray of Ingmar Bergman’s The Virgin Spring is a shimmering presentation that makes the film — a dark exploration of faith, murder, and revenge — new again.
John Schlesinger’s Midnight Cowboy is always going to be remembered as the first and only X-rated film to win the Best Picture Academy Award. But beyond this bit of trivia, and despite some of its flaws, Midnight Cowboy is a powerful film that deserves to be revisited again and again. The Criterion Collection presents it with a stacked package in their recent home video release.
Sergei Parajanov’s 1969 film The Color of Pomegranates is a one-of-a-kind masterpiece of poetic cinema. The new Criterion Collection edition has a beautiful presentation of the film alongside several supplements that really delve into the film’s riches.
Edith Wharton’s The Age of Innocence is a tremendous story, and Martin Scorsese’s adaptation presents an immaculately constructed world by lovingly utilizing early-filmmaking techniques. Hopefully the new Criterion release, which sparkles, will help bring the film more attention it deserves.
Criterion’s two-disc release of Tony Richardson’s Tom Jones is a superb presentation of a film that deserves attention, in no small part because it succeeds in entertaining with an intoxicating combination of irreverence and purity of heart.
Using an excellent 4K restoration and adding a scholarly audio commentary from Joseph McBride, The Criterion Collection has upgraded their home video release of John Ford’s 1939 film Young Mr. Lincoln.
After many years, our hopes for a Blu-ray upgrade of Jean-Pierre Melville’s Le Samouraï have paid off with Criterion’s new release of the classic crime thriller, starring the image of quiet cool, Alain Delon.
For this episode of The CriterionCast, Trevor is joined by David and Scott to talk about Jack Clayton’s The Innocents, adapted from Henry James’s classic ghost story The Turn of the Screw.
The Criterion Collection continues to highlight controversial, difficult-to-watch films that are nevertheless important and worth exploring with its release of Michael Haneke’s multi-award-winning, deeply disturbing, even cringe-inducing film from 2001: The Piano Teacher.
Michael Curtiz’s The Breaking Point, an adaptation from one of Hemingway’s lesser known novels, is a solid noir, thrilling and beautifully constructed. Criterion’s new release will hopefully give the film the light it deserves.
The Criterion Collection presents Robert Bresson’s final, nihilistic film, the masterpiece L’argent.
In this episode, Trevor Berrett and Scott Nye venture into the mysteries of the Zone, discussing Andrei Tarkovsky’s 1979 film Stalker.
Bringing Straw Dogs back to in-print status, the new Criterion edition is a solid presentation of a complicated film.
In this episode, Scott Nye, David Blakeslee, and Trevor Berrett discuss Michelangelo Antonioni’s 1966 film Blow-Up.
Francis Ford Coppola dreamed of making an art film for teenagers. The result is Rumble Fish, the black and white follow-up to and attempt to create distance from The Outsiders.
In this episode, Trevor Berrett and David Blakeslee discuss Peter Weir’s 1975 film Picnic at Hanging Rock.