The low-key French drama uses the theatre to reveal the inner lives of those who perform it.
Reviews
Scott Nye
Scott Reviews Jenée LaMarque’s The Pretty One [Theatrical Review]
LaMarque's directorial debut knows not what tone it seeks to strike nor even the story it wants to tell.
Sean Reviews Lotfy Nathan’s 12 O’Clock Boys [Theatrical Review]
If you get to 12 O'clock, you're the shit.
Sean Hutchinson
Sean Reviews Michael Mann’s Thief [Dual Format Review]
Michael Mann makes his anticipated debut in the Collection.
Scott Reviews Masters of Cinema’s Late Mizoguchi Box Set, Part Two [Blu-Ray Review]
We take a look at the rest of MoC's marvelous box set.
Joshua Reviews Nicole Holofcener’s Enough Said [Blu-ray Review]
One of 2013's most underrated comedies finally arrives on home video.
Joshua Brunsting
Joshua Reviews Jules Dassin’s Rififi [Blu-ray Review]
The heist classic gets a new Blu-ray release thanks to The Criterion Collection.
Joshua Reviews Peter Weir’s Fearless [Blu-ray Review]
Peter Weir's unsung masterpiece finally arrives on Blu-ray.
Sean Reviews Godfrey Reggio’s Visitors [Theatrical Review]
Reggio's first film in over ten years buckles under the pressure of its own subjectivity.
Joshua Reviews Pat Kiely’s Three Night Stand [Slamdance Review]
Slamdance 2014 is the home for this new romantic comedy from writer/director Pat Kiely.
Joshua Reviews David Beilinson, Michael Galinsky And Suki Hawley’s Who Took Johnny? [Slamdance Review]
New documentary may be the best documentary from a loaded Slamdance slate.
Joshua Reviews Fernando Frias’ Rezeta [Slamdance Review]
Romantic comedy may be one of the best films out of this year's Slamdance slate.
Joshua Reviews Nailah Jefferson’s Vanishing Pearls [Slamdance Review]
New documentary bows at this year's Slamdance Film Festival.
Joshua Reviews David McMahon’s Skanks [Slamdance Review]
New documentary makes its world premiere at this year's Slamdance Film Festival
Scott Reviews F.W. Murnau’s Nosferatu [Masters of Cinema Blu-ray Review]
The ninety-year-old film still has us in its grip.