New documentary makes its world premiere at this year's Slamdance Film Festival
Reviews
Joshua Brunsting
Scott Reviews F.W. Murnau’s Nosferatu [Masters of Cinema Blu-ray Review]
The ninety-year-old film still has us in its grip.
Scott Nye
Sean Reviews Jillian Schlesinger’s Maidentrip [Theatrical Review]
Schlesinger's doc is an incredible story about an incredible person.
Sean Hutchinson
Joshua Reviews Jaret Belliveau And Matthew Bauckman’s Elliot [Slamdance Review]
Film looks at a man trying to be the first great Canadian action hero, one lie at a time.
Joshua Reviews Hirokazu Kore-eda’s Like Father, Like Son [Theatrical Review]
Hirokazu Kore-eda's latest film is the first must-see film of this new year.
Joshua Reviews Francesco Rosi’s Many Wars Ago [Blu-ray Review]
One of the greatest war films ever finally arrives on Blu-ray.
Scott Reviews Victor Fleming’s Mantrap [Theatrical Review]
The Clara Bow silent comedy plays at the Northwest Film Center this weekend.
Scott Reviews Mark Kendall’s La Camioneta [Theatrical Review]
The new documentary plays at the Northwest Film Center this weekend.
Scott Reviews Alain Resnais’s Le Chant du Styrène [Theatrical Review]
See Resnais's amazing documentary at the Northwest Film Center.
Joshua Reviews Kenji Misumi’s The Tale Of Zatoichi [Film Review]
We take a look at the first entry in the Zatoichi series.
Joshua Reviews Janis Nords’ Mother, I Love You [Theatrical Review]
Latvia's Oscar entry for Best Foreign Language film is yet another bit of proof that the Academy Of Motion Pictures Arts And Sciences never quite gets it right, as this is more than deserving of a nomination.
Joshua Reviews Benedikt Erlingsson’s Of Horses And Men [Theatrical Review]
This Icelandic black comedy/drama is one of the more interesting foreign language films in quite some time.
Scott Reviews Joseph H. Lewis’ Gun Crazy [Theatrical Review]
The classic crime film plays at the Northwest Film Center.
Joshua Reviews Eric Valli’s Himalaya [Blu-ray Review]
The legendary foreign film finally arrives on Blu-ray stateside.
Joshua Reviews James Franco And Travis Matthews’ Interior. Leather Bar [Theatrical Review]
James Franco once again proves that while he may be a big box office draw, he's also as interesting a cinematic voice as we have today.