An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
Mark and Aaron welcome Ben Model, silent film historian, accompanist, distributor, and enthusiast.
Scott, David, Trevor, and Arik discuss the artistic seeds, sensuality, playfulness, performances, autobiography, and tragedy in Bergman's 1951 film.
The latest film from director Hong Sang-soo is one of the summer's best bits of counter-programming for those cinephiles looking for a change of pace this blockbuster season.
Ryan is joined by David and Keith to chat about the new announcements and rumors surrounding the Collection.
David and Trevor are joined by film blogger and researcher Pablo Knote to discuss three exhilarating Japanese films from the early 1960s.
Mark and Aaron take a look at Whit Stillman's Barcelona (1994), and how it compares with his other work.
Give a listen as Keith Enright explains what this is all about and what you can expect to hear on this monthly missive.
In which Arik and Herb van der Poll discuss why artists sometimes shouldn’t remake their own art
Scott wraps up coverage of LA Film Fest, looking at Paint it Black, No Light and No Land Anywhere, The View From Tall, and Heis (Chronicles)









