David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
One of the year's best films is also one of its most quietly moving.
One part of Criterion's brand new World Cinema Project box set is one of African cinema's greatest achievements.
One of Criterion's most popular and quintessential cult films receives its long-expected blu-ray upgrade.
Collecting the best DVD and Blu-ray deals around the web for the week.
Taking a look at Ugetsu Monogatari, Uwasa no Onna, Chikamatsu Monogatari, and Oyu-sama.
Four whole hours, two separate films, one nymphomaniac.
Andrzej Wajda, Krzysztof Kieslowski, and more.
The ever-prolific indie auteur is back with what may be his best film to date.
Here are five intriguing choices for what to watch this weekend.
Or How I Stopped Worrying And Learned To Love Pro-Wrestling.




