Fellini gives himself free reign to create, imagine, and remember.
Reviews
Scott Nye
Joshua Reviews Mariana Rondon’s Bad Hair [Theatrical Review]
New film will have its US premiere as part of this year's Tribeca Film Festival, starting April 16.
Joshua Brunsting
Joshua Reviews Don Siegel’s Riot In Cell Block 11 [Dual Format Review]
Don Siegel's rarely seen gem finally hits home video thanks to a beautiful Criterion Dual Format Release.
Sean Reviews Roman Polanski’s Tess [Dual Format Review]
This stately epic of sexual identity is perhaps Polanski's most overlooked film.
Sean Hutchinson
Scott Reviews Samuel Fuller’s White Dog [Masters of Cinema Blu-ray Review]
The film once too dangerous to release at all is now available in high definition.
Scott Reviews Sidney Lumet’s Serpico [Masters of Cinema Blu-ray Review]
Frank Serpico's conscience was clean, and now, so is this transfer.
Scott Reviews Masters of Cinema’s Lubitsch in Berlin Box Set [DVD Review]
Lubitsch's early silent films prove illuminating to his better-known works, and are incredibly entertaining in their own right.
Sean Reviews Jonathan Glazer’s Under the Skin [Theatrical Review]
Fascinating and unsettling, Glazer's first film in over ten years is a must-see.
Joshua Reviews Anthony Chen’s Ilo Ilo [Theatrical Review]
Anthony Chen's debut feature takes a look at a financial crisis through the lens of a familial one.
Joshua Reviews Darren Aronofsky’s Noah [Theatrical Review]
Darren Aronofsky's new epic is one of the year's best films.
Joshua Reviews John Maloof And Charlie Siskel’s Finding Vivian Maier [Theatrical Review]
New documentary takes a look at one of the most interesting figures in American photography.
Joshua Reviews Tom Shoval’s Youth [Theatrical Review]
One of the best films from this still very young year has finally arrived in theaters this weekend.
Catherine Reviews John Maloof and Charlie Siskel’s Finding Vivian Maier [Theatrical Review]
The revelatory and recently discovered street photography of Vivian Maier, and the unknowable woman behind the photos, are the focus of this inquisitive documentary.
Catherine Stebbins
Sean Reviews Lars von Trier’s Nymphomaniac Vols. I & II [Theatrical Review]
Sometimes being a provocateur works and sometimes it doesn't.
Sean Reviews Richard Ayoade’s The Double [New Directors/New Films Review]
The Double is a daring and assured sophomore effort from Richard Ayoade.