David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
The film, featuring a script from then assistant director Alfred Hitchcock, gets a new restoration debuting online.
The new film from director David O. Russell is one of his best to date.
With Spielberg's big Lincoln epic arriving in wide release this Friday, we look at a newly released Blu-ray of one of cinema's first Lincoln films.
Lenghty roundtable discussion looks at the craft of writing from the viewpoints of this year's most talked about scribes.
Trailer arrives for Fincher's long-awaited Netflix series, House Of Cards.
We have two copies of the DVD and two of the Blu-ray to give away to our readers.
Fritz Lang's masterpiece gets a justly fantastic Blu-ray from Kino.
Otto Preminger's underrated noir is just one in a cavalcade of brilliant features directed by the unsung filmmaker.
