This legendary screen adaptation of the groundbreaking Lorraine Hansberry play finally arrives on Criterion Collection DVD and Blu-ray, and is a solid, context-heavy dive into one of the most culturally significant films of its generation.
This new documentary sees four of the great actresses of stage and screen in conversation, and is as witty as it is flatly made.
The winner of this year’s Golden Bear, Touch Me Not is a thrilling blurring of the line between fiction and non-fiction filmmaking, a docu-drama hybrid that’s as claustrophobic as it is emotionally devastating.
Despite being led by two truly great actors, Bel Canto is, sadly, a flat misfire.
Through three documentaries opening this weekend, we look at the current state of documentary filmmaking.
A riff on Italian crime films of the 1970’s, Let The Corpses Tan is a gorgeous, unwieldy experiment in genre filmmaking.
This adaptation of a beloved WWII memoir is a haunted meditation on grief and loss.
Mumblecore grandfather returns with his most commercial work to date, and also one of his most mature and moving.
This transgressive look at gender and sexuality is one of 2018’s great debut feature films.
One of the great female pioneers of silent cinema, Dulac’s career is one of experimentation and worthy of historical re-evaluation.
This Sundance award-winning coming of age tale is an impressionistic look at a sensitive young boy caught in a chaotic world.
The Sixth Generation Chinese auteur sees four of his films as the primary focus of August’s Mubi lineup.
Spike Lee returns with a film that sees the legendary filmmaker at the height of his powers, bringing to theaters the movie of the year.
“Performance Anxieties” runs through August 9
This haunting look at the late days of one of rock’s great enigmas, Nico, 1988 is one of the year’s great surprises.
Indie darling Josephine Decker returns with her best film to date, a devastating character study that’s one of 2018’s most original films.