Joshua Reviews Lucio Castro’s End Of The Century [Theatrical Review]
Castro’s debut feature is a quiet, unassuming romantic drama that exceeds all expectations.
Joshua Reviews Roberto Minervini’s What You Gonna Do When The World’s On Fire [Theatrical Review]
Director Roberto Minervini returns with another masterful feature documentary.
Top Five Home Video Releases: July 2019
From a pair of groundbreaking silent films to one of the great thrillers of early ’70s American Cinema, these are the five best home video releases of July 2019.
Joshua Reviews Mariano Llinas’ La Flor [Theatrical Review]
At roughly 14 hours the film may be daunting, but it’s also a masterful deconstruction of genre and storytelling and maybe the best film of the year.
Joshua Reviews Britt Poulton And Dan Madison Savage’s Them That Follow [Theatrical Review]
This new thriller takes viewers into a fundamentalist sect for one of the summer’s more haunting, if uneven, dramas.
Joshua Reviews Jacques Rivette’s Joan The Maid [Theatrical Review]
Rivette’s long sought after masterpiece finally returns to theaters in a glorious new restoration.
Joshua Reviews Zach Gayne’s Homewrecker [Fantasia International Film Festival 2019]
With a pair of great lead performances at its center, Homewrecker is among the best, most odd thrillers at this year’s Fantasia International Film Festival.
Joshua Reviews Bora Kim’s House Of Hummingbird [Fantasia International Film Festival 2019]
Bora Kim’s debut film is one of the most exciting discoveries of this year’s Fantasia International Film Festival.
Joshua Reviews Rick Alverson’s The Mountain [Theatrical Review]
Rick Alverson returns with a jaundiced look at 50s Americana, one of the year’s best films.
Joshua Reviews Lee Won-Tae’s The Gangster, The Cop, The Devil [Fantasia International Film Festival 2019]
This captivating action thriller follows up a huge run at Cannes with a run at Fantasia, cementing itself as one of the year’s best action films.
Joshua Reviews Karim Amer And Jehane Noujam’s The Great Hack [Theatrical Review]
Now on Netflix, this new documentary looks keenly at the world of data mining in the social network age, and its political ramifications.
Joshua Reviews Makoto Nagahisa’s We Are Little Zombies [Fantasia International Film Festival 2019]
This debut feature film is an inspired and beautifully rendered rumination on grief through the eyes of four orphan children.
Joshua Reviews Keiichi Hara’s The Wonderland [Fantasia International Film Festival 2019]
Hara returns with a gorgeous, if uneven, fairy tale anime.
Joshua Reviews Alexandre Carriere’s Jade’s Asylum [Fantasia International Film Festival 2019]
This debut feature is led by a solid performance, but is ultimately a frustrating disappointment
Joshua Reviews Streetwise And Tiny: The Life Of Erin Blackwell [Theatrical Review]
Janus Films begins the theatrical run for these two superlative documentaries this weekend.
Joshua Reviews Louis Garrel’s A Faithful Man [Theatrical Review]
Garrel’s sophomore effort is one of the year’s most charming, and compelling, romantic dramas.