Shelton continues to demonstrate she's one of the most daring, earnest voices in contemporary American cinema.
Theatrical Film Reviews
Scott Nye
Joshua Reviews Alicia Scherson’s Il Futuro [Theatrical Review]
Rutger Hauer gives a career defining performance in this small, independent drama.
Joshua Brunsting
Joshua Reviews Matias Meyer’s The Last Christeros [Theatrical Review]
This quaint drama offers up killer counter-programming to a summer film season now on its way out the door.
Joshua Reviews Penny Lane’s Our Nixon [Theatrical Review]
Our Nixon paints an intimate portrait of the most controversial White House in US history.
Joshua Reviews Ulrich Seidl’s Paradise: Faith [Theatrical Review]
The second film in the three part Paradise trilogy arrives this Friday.
Joshua David Lowery’s Ain’t Them Bodies Saints [Theatrical Review]
David Lowery's new film may be one of 2013's best films.
Joshua Reviews Erik Sharkey’s Drew: The Man Behind The Poster [Theatrical Review]
New documentary looks at the life and work of one of the most influential poster artists ever.
Joshua Reviews Zachary Heinzerling’s Cutie And The Boxer
This is yet another top notch documentary proving 2013 to be yet another golden year for non-fiction filmmaking.
Scott Reviews Rob Epstein & Jeffrey Friedman’s Lovelace [Theatrical Review]
The porn-star biopic is a lie, as cinema as much as fact.
Joshua Reviews Joachim Lafosse’s Our Children [Theatrical Review]
This was Belgium's entrant for last year's Best Foreign Language Film Oscar. And it lives up to that hype.
Scott Reviews Sebastián Cordero’s Europa Report [Theatrical Review]
The new found footage film doesn't sacrifice its scientific setting to get great thrills.
Joshua Reviews Paul Schrader’s The Canyons [Theatrical Review]
Is this the film that we all expected, or could this be one of 2013's biggest surprises?
Joshua Reviews James Mangold’s The Wolverine [Theatrical Review]
Could this be the film of the summer?
Joshua Reviews Rowan Athale’s Wasteland [Theatrical Review]
This indie drama proves that the heist thriller genre may not be as stale as we all think.
Scott Reviews Maggie Carey’s The To Do List [Theatrical Review]
The test of whether one can spend a feature film mocking their teenage years.