David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
The Eclipse Series is back! And so is our podcast dedicated to each of the excellent box sets released under this sideline of the Criterion Collection. Trevor and David begin a multi-part series that will...
The eight film retrospective will run until 7/23.
Prepare to watch many Czech films from Janus over the next few years.
The final film from Robert Bresson finally arrives on Criterion Collection DVD and Blu-ray, along with one of the company's best recent supplements.
The bi-annual sale has returned!
Aaron and Mark talk Criterion and art films with Sean Baker, director of Tangerine, The Florida Project, and many more.
This great new film will also be arriving on Amazon Prime on September 1.
Aaron is joined by Doug and Jackie as they take a special trip through the world of David Lynch's Twin Peaks.
The film is yet another exclusive for the curated, time sensitive, streaming brand.
David, Trevor and guest Matt Gasteier discuss Early Spring and Tokyo Twilight in the first of a three-part series.
Errol Morris' latest effort is both a touch too long and yet arguably the director's most charming and warm work thus far in his historic career.








