David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
The Eclipse Series is back! And so is our podcast dedicated to each of the excellent box sets released under this sideline of the Criterion Collection. Trevor and David begin a multi-part series that will...
Forman's riotous comedy of social disaster comes to high definition.
This marks the final chapter in Miguel Gomes' magnificent Arabian Nights series.
Lots of great Criterion deals to be had online this week.
Joining us today is Tina Hassannia to discuss Leo McCareys’ Ruggles of Red Gap which comes with a hearty recommendation to watch immediately!
To celebrate the past year of Criterion Collection releases, Ryan is joined by David Blakeslee, Scott Nye, Aaron West, Arik Devens and Keith Enright to discuss their favorite releases of 2015.
New Blu-ray gives life to a hard-to-see masterpiece from two of cinema's greatest artists.
David and Trevor discuss three early features from Yugoslavian cinema's notorious provocateur.
A delightful essay on the shades of color used in Wes Anderson's stop motion masterpiece.
The second in Miguel Gomes' epic trilogy is Portugal's Oscar submission this year.
One of the year's most anticipated films not only lives up to the hype, but smashes any and all expectations.









