David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Ryan and Brian catch up on the news and new releases for the week.
Robin Bougie of Cinema Sewer fame comes back with the second volume in his Graphic Thrills books.
This week Joakim and Trevor Barrett from the Eclipse Viewer podcast discuss Ugetsu Monogatari.
The sale has returned! You know what to do.
Rounding up the best deals on DVDs and Blu-rays around the web.
New documentary looks at the life and work of director Ousmane Sembene.
Wiseman returns with a long-form meditation on one of the nation's most diverse communities.
This new documentary looks at Afghanistan in the wake of the Taliban's loss of power.
This new film penned by Nick Hornby based on the beloved novel of the same name is a beautiful look at what it truly means to find one's home.
More a politely saucy British drama than a horror film.









