David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Collecting the best new releases on Blu-ray and DVD.
The trilogy concludes with the surreal, the inexplicably, and the haunting.
Bergman's faith trilogy continues with the relentless Winter Light
While the premise underlying Kiarostami's 24 Frames may look strange on paper -- in this, his final film, he animates 24 still images and presents them one-by-one -- the result is a surprisingly rich work that explores...
This debut from director Nia DaCosta takes a top tier performance from star Tessa Thompson and adds it to an assured first feature.
Hong Sang-soo returns with his 22nd film, a masterpiece that turns a simple, almost theater-like premise into an ambulatory rumination on life and death.
This annual cross-section of non-fiction and hybrid films returns for its sixth, and potentially best, installment. We give you five reasons to make this a priority for its upcoming run.
Two very different films give us a window into the mindsets of the past
TCM Fest has become legendary among attendees for digging up the strange and lurid, and this year was no exception!







