David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
David is joined by Jason Beamish and Robert Taylor to shoot off their opinions about this portrayal of a burned-out hitman.
A riff on Italian crime films of the 1970's, Let The Corpses Tan is a gorgeous, unwieldy experiment in genre filmmaking.
The film will screen at the Venice and New York film festivals, and be available on Netflix starting in November.
This September, the Criterion Collection will bring an exciting assortment of features and original supplementary material to their FilmStruck channel.
Cole and Ericca from the Magic Lantern Podcast join to dish about announcements, teal and John Waters.
David is joined by Derek J. Power, Josh Hornbeck, Robert Taylor and William Remmers in extended conversations about this prime specimen of New Hollywood cinema. (Hold the chicken.)
This adaptation of a beloved WWII memoir is a haunted meditation on grief and loss.
Mumblecore grandfather returns with his most commercial work to date, and also one of his most mature and moving.
This transgressive look at gender and sexuality is one of 2018's great debut feature films.
One of the great female pioneers of silent cinema, Dulac's career is one of experimentation and worthy of historical re-evaluation.
David Blakeslee
Ryan Gallagher
Joshua Brunsting
Aaron West