David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
This singular thriller is one of the most intriguing independent releases of the year so far.
Ryan and Brian catch up on the week's new home video news and releases.
Arrow gathers three undersung films from the pulp studio.
Scott, David, and James discuss the politics, filmmaking, the legacy of war, and, of course, sex in the landmark dual film.
My guest for this month is Neven Mrgan, and he’s joined me to discuss the film he chose for me, the 1997 drama film Taste of Cherry. You can follow the show on Twitter @cinemagadfly.
David reviews the sadly neglected "dark side of the moon" half of Vilgot Sjöman's notorious pair of pseudo-vérité mash-ups.
We explore Mike Nichols' The Graduate, why it resonated with so many and is considered such a pivotal American film.
While the two stars may steal the headlines, this is a deeply moving and profound look at grief and loss.
What better way to reach episode fifty than to be joined by one of the most foremost and respected film critics and theorists of her generation, to discuss Max Ophuls' La signora di tutti we are honored to have Laura...
Ryan and Brian chat about the week's news and new home video releases.








