David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
David and Trevor discuss LOVE LETTER and THE MOON HAS RISEN, the first of three episodes reviewing KINUYO TANAKA DIRECTS, new from the Eclipse Series from the Criterion Collection.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Garrel examines our relationships and the effects of infidelity.
The latest film from Greek New Wave star Athina Rachel Tsangari is a powerful look at the fragility of modern masculinity.
Ryan and Brian catch up on the week's new disc releases.
Catherine Brellait's Fat Girl is a bold statement on feminism, obesity, and women's roles, plus it has a baffling ending.
Anderson's documentary joins the Criterion Collection's iTunes channel on March 1st.
David and Trevor are joined by Aaron West to begin a two-part dissection of Nagisa Oshima's earliest independent films.
It's that time of year when every podcast in the world does year in review show... only ours is possibly a bit later than every one else. We are joined by James Marsh for a look back at 2015 and Masters of Cinema.
Radu Jude uses genre conventions of the classic American western to illustrate themes common in the Romanian New Wave.
New documentary looks at the gargantuan split within Korean culture.
Richard Linklater's Slacker from the perspective of Austin, TX.









