David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
The Eclipse Series is back! And so is our podcast dedicated to each of the excellent box sets released under this sideline of the Criterion Collection. Trevor and David begin a multi-part series that will...
Guerra's new film is an Oscar nominee that is finally arriving in theaters this weekend.
While this may be the least accessible work playing this year's PIFF, you'll be hard pressed to find a more profoundly beautiful film among this slate.
Ryan and Brian catch up on the week's new disc releases and home video news.
The film that first served to introduce Oshima to Western viewers in the late 1960s finally gets a solid Blu-ray release in 2016.
Sokurov's latest is both a perfect example of his experimental style and yet arguably his most accessible work to date.
With this new film, Alex van Warmerdam proves once again he's one of world cinema's most interesting voices.
The value of their conversations, typically involving old stories and new mundanities, is only truly understood in retrospect, enlivened by the wit of both women and how keenly many in the audience feel their own...
Pablo Larraín’s latest once again brings a deeply political lens to his native Chile.
A uniquely French animated tale, with elements of steampunk and Jules Verne.
The latest film from director Jia Zhang-ke may be both his most accessible and uneven.









