David is joined by Richard Doyle to discuss this timely tale of radical resistance and romantic folly in fascist Italy of the 1930s.
David is joined by Richard Doyle to discuss this timely tale of radical resistance and romantic folly in fascist Italy of the 1930s.
The podcast returns after a long break featuring David in a solo episode talking about Brigitte Bardot's acting career with a focus on this, her final feature performance.
Kerr makes her directorial debut with this quietly unsettling family drama led by another astounding performance from Deragh Campbell.
Criterion's long-awaited release of this Chinese epic is now available in a splendid uncut restoration.
A few thoughts and three video clips about the exciting new release of a landmark Brazilian film from 1964.
David shares his thoughts on this 2022 documentary about two brothers carrying out their mission of rescuing injured birds in Delhi, India.
David talks with Michael Worth about the excellent new Bruceploitation box set from Severin Films.
David is joined by musical theater enthusiast Robert Cioffi to discuss this Hanna-Barbera animated adaptation of E.B. White's all-time best-selling youth fiction novel.
The first of three Tribeca dispatches looks at three of the festival's more talked about documentaries.
Aaron is joined by Matthew Asprey Gear, who is an author, film historian, and teacher.
Andrew and Steven of the Chasing Labels podcast join to talk Criterions.
For the 100th episode, David has a conversation with Alexander Cormier about Dennis Hopper's ill-fated magnum opus, and also does a bit of reflecting on his experiences in podcasting and blogging about the films of the...
Open Roads: New Italian Cinema runs May 28-June 6.
For June, the Channel will feature films from Manoel de Oliveira, Luis García Berlanga, Rob Epstein and Jeffrey Friedman, and more!
In this episode of Inside the Box, Trevor and David look into David Lean Directs Noël Coward, featuring In Which We Serve, This Happy Breed, Blithe Spirit, and Brief Encounter.
The latest from director Mohammad Rasoulof is a powerful and provocative look at the death penalty and the toll it takes on one's humanity.