Scorsese unleashes a screed of moral outrage by way of direct representation.
Scott Nye
Scott Nye
Scott Reviews Fritz Lang’s Dr. Mabuse, Der Spieler [Masters of Cinema Blu-ray Review]
Lang's titanic achievement looks outstanding in its Blu-ray debut.
Scott Reviews Masters of Cinema’s Late Mizoguchi Box Set: Part 1 [Blu-ray Review]
Taking a look at Ugetsu Monogatari, Uwasa no Onna, Chikamatsu Monogatari, and Oyu-sama.
Scott Reviews Maurice Pialat’s Van Gogh [Blu-ray Review]
The 1991 film uses a slice of the painter's life to represent his life's journey.
Scott Reviews Douglas Sirk’s A Time to Love and a Time to Die [Masters of Cinema Blu-ray Review]
Sirk's astounding 1958 film comes to Blu-ray for the first time.
Scott Discusses Dallas Buyers Club with Matthew McConaughey and Jean-Marc Vallée
Scott sits down with the lead actor and director of the new film.
Scott Reviews Michelangelo Antonioni’s La Notte [Masters of Cinema Blu-ray Review]
Antonioni's classic film finally comes to Blu-ray, but the results are not quite what we had in mind.
Scott Reviews Abdellatif Kechiche’s Blue is the Warmest Color [Theatrical Review]
An urgent, explosively emotional experience that nevertheless takes some shortcuts to its dramatic climaxes.
Scott Reviews J.C. Chandor’s All is Lost [Theatrical Review]
Chandor's sophomore feature is another admirable effort, but falls well short of its ambitions.
Scott Reviews Terry Gilliam’s Time Bandits [Blu-ray Review]
There's no reason to fear Arrow's mighty new release.
Scott Reviews Lotte Reiniger’s The Adventures of Prince Achmed [Blu-ray Review]
The awe-inspiring animated feature comes to Blu-ray for the first time, courtesy of BFI.
On the Hulu Channel: Ingmar Bergman’s The Devil’s Eye
Bergman perfects the mix of comedy and tragedy with a film that would prove a marked transition for him as a filmmaker.
Scott Reviews Antonio Campos’ Simon Killer [Masters of Cinema Blu-ray Review]
Scott isn't much for the film, but for its fans, this disc is as good as you could hope.
On the Hulu Channel: Nagisa Oshima’s A Street of Love and Hope
Oshima's mini-feature makes no bones about its socio-political aims, and takes a personal, urgent view of the tough decisions that come with poverty.
Scott Reviews Lynn Shelton’s Touchy Feely [Theatrical Review]
Shelton continues to demonstrate she's one of the most daring, earnest voices in contemporary American cinema.