David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
David Blakeslee, Aaron West, and Brad McDermott got together to keep our annual "favorites of the year" podcast tradition going for Year 16!
David and Trevor continue their conversation, focusing on two medium-length narratives about adolescence and poverty: Experience and A Wedding Suit.
The Eclipse Series is back! And so is our podcast dedicated to each of the excellent box sets released under this sideline of the Criterion Collection. Trevor and David begin a multi-part series that will...
A sexy, rich, beautiful masterpiece.
Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's documentary will open at the IFC Center on March 31st.
Mark and Aaron discuss Punch-Drunk Love and the career of Paul Thomas Anderson.
Cameraperson is a uniquely revealing way of processing the impact of a vital and too often anonymous artistic discipline.
David reviews the last Zatoichi film of the 1960s and the last one of the series to be released by the Daiei Film studio.
The series runs March 1-12, includes new films from Bertrand Bonello, Bruno Dumont, more.
This singular documentary takes a fictional route to tell the story of the Aurora, Colorado massacre, and will no doubt polarize audiences in doing so.
A jumbled mess of post-Vietnam cliches with some very strong performances.
Betts makes a striking narrative feature debut.









