An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
An in-depth conversation about director John Singleton, the subject of Criterion's new Hood Trilogy box set.
David, Trevor and guest William Remmers wrap up their coverage of the set to talk about THE SMILING LIEUTENANT and ONE HOUR WITH YOU.
David and Trevor are joined by William Remmers to discuss THE LOVE PARADE and MONTE CARLO, the first two films in this reissued set of classic Pre-Code musical comedies.
David and Trevor wrap up their coverage with a conversation about six "school films" shot between 1975 and 1989.
Aaron West's upcoming book covers the rise of A24 from its first releases in 2012 up to the beginning of the COVID-19 pandemic in early 2020.
David and Trevor discuss five films shot between 1978-1984 that offer Kiarostami's insight and indirect critique of Iranian politics and culture.
For February, the Channel will feature films from Mervyn LeRoy, Héctor Babenco, John Woo, and more!
Ira Sach's latest will stream later this month.
Fresh off their Golden Globe wins, Neon announces home video releases in partnership with the Criterion Collection.
Aaron, Dave, Jessica, and Mark talk about Black Girl, Cameraperson, Wong Kar Wai, and plenty more.
Olmi's film looks great on Blu-ray, but lacks drama and poetry.
One of this PIFF 2017's best films is also one of documentary cinema's most singular achievements in years.
A sexy, rich, beautiful masterpiece.
Jon Nguyen, Rick Barnes and Olivia Neergaard-Holm's documentary will open at the IFC Center on March 31st.
Mark and Aaron discuss Punch-Drunk Love and the career of Paul Thomas Anderson.
Cameraperson is a uniquely revealing way of processing the impact of a vital and too often anonymous artistic discipline.
David reviews the last Zatoichi film of the 1960s and the last one of the series to be released by the Daiei Film studio.
The series runs March 1-12, includes new films from Bertrand Bonello, Bruno Dumont, more.
This singular documentary takes a fictional route to tell the story of the Aurora, Colorado massacre, and will no doubt polarize audiences in doing so.









