The latest from director Apichatpong Weerasethakul may very well be his greatest yet.
Joshua Brunsting
Joshua Brunsting
Joshua Reviews Ido Mizrahy’s Gored [Theatrical Review]
New documentary looks at the most gored bullfighter in modern history as he faces his final match.
Joshua Reviews Athina Rachel Tsangari’s Chevalier [PIFF 2016]
The latest film from Greek New Wave star Athina Rachel Tsangari is a powerful look at the fragility of modern masculinity.
Joshua Reviews Soon-Mi Yoo’s Song’s From The North [PIFF 2016]
New documentary looks at the gargantuan split within Korean culture.
Joshua Reviews Ciro Guerra’s Embrace Of The Serpent [PIFF 2016]
Guerra's new film is an Oscar nominee that is finally arriving in theaters this weekend.
Joshua Reviews Ben Rivers’ The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers [PIFF 2016]
While this may be the least accessible work playing this year's PIFF, you'll be hard pressed to find a more profoundly beautiful film among this slate.
Joshua Reviews Alexander Sokurov’s Francofonia [PIFF 2016]
Sokurov's latest is both a perfect example of his experimental style and yet arguably his most accessible work to date.
Joshua Reviews Alex van Warmerdam’s Schneider Vs. Bax [PIFF 2016]
With this new film, Alex van Warmerdam proves once again he's one of world cinema's most interesting voices.
Joshua Reviews Jia Zhang-ke’s Mountains May Depart [Theatrical Review]
The latest film from director Jia Zhang-ke may be both his most accessible and uneven.
Joshua Reviews Tobias Lindholm’s A War [Theatrical Review]
This Oscar-nominated war drama is one of the best looks at the real morality of modern war to date.
Joshua Reviews Southbound [Theatrical Review]
This take on the horror anthology film is first must see scarefest of 2016.
Joshua Reviews Andrea Marini’s Art Of The Prank [Slamdance Review]
This new documentary looks at one of the great, and underrated, media satirists of our time.
Joshua Reviews Angela Boatwright’s Los Punks: We Are All We Have [Slamdance Review]
New documentary looks at one of the music world's smallest, yet most vital, scenes.
Joshua Reviews Derek Kimball’s Neptune [Slamdance Review]
This new drama is one of the best films Slamdance has offered its attendees in years.
Joshua Reviews Arturo Ripstein’s Bleak Street [Theatrical Review]
This noir takes us into not only the world of murder and prostitution, but lucha libre wrestling.