War is just a series of rotten circumstances in Fuller's first studio film.
Reviews
Scott Nye
Joshua Reviews Jacques Audiard’s Dheepan [Theatrical Review]
Last year's Palme d'Or winner finally arrives in theaters as the 2016 Cannes Film Festival sits on the horizon.
Joshua Brunsting
Joshua Reviews Ben Chace’s Sin Alas [Theatrical Review]
The first American film to shoot in Cuba since 1959 hits theaters this weekend, and it's one of the year's biggest surprises.
James Reviews Jeremy Saulnier’s Green Room
Murder Party. Blue Ruin. Now with Green Room, Jeremy Saulnier tries to perfect what he's already started.
James McCormick
Joshua Reviews Christian Braad Thomsen’s Fassbinder: Love Without Demands [Theatrical Review]
One of two documentaries about the beloved German filmmaker, this is one of the definitive texts when discussing this auteur.
Joshua Reviews Maya Vitkova’s Viktoria [Theatrical Review]
A singular debut, this marks the introduction of a new and important voice on the world cinema stage.
Joshua Reviews Piero Messina’s L’Attesa [Theatrical Review]
A protege of director Paolo Sorrentino steps out on his own to make a beautiful meditation on grief and loss.
Scott Reviews The Rainer Werner Fassbinder Collection [Arrow Video Blu-ray Review]
The UK company gathers together some of the legendary German director's most-acclaimed films in a gorgeous package.
Joshua Reviews Laura Bispuri’s Sworn Virgin [Theatrical Review]
One of the year's biggest surprises is this haunting debut drama from director Laura Bispuri.
Joshua Reviews Josh Fox’s How To Let Go Of The World (And Learn To Love All The Things Climate Can’t Change) [Theatrical Review]
Fox returns with yet another alarming meditation on the nature of climate change and the grassroots movements looking to make a change, no matter how small.
Joshua Reviews Randall Wright’s Hockney [Theatrical Review]
One of the UK's most influential artists gets an enjoyable, yet sterile, profile in this new documentary.
Joshua Reviews Nicolas Steiner’s Above And Below [Theatrical Review]
In a new age of alt-documentaries, this stands above many as one of the very best in recent memory.
Joshua Reviews Stephane Brize’s The Measure Of A Man [Theatrical Review]
Stephane Brize returns with not only one of her best films to date, but also a towering performance from Vincent Lindon.
Joshua Reviews German Kral’s Our Last Tango [Theatrical Review]
While the story of two tango dancers may not seem like the grounds for a profound and emotional documentary, German Kral proves it's ground for one of the year's very best non-fiction features.
Joshua Reviews Joachim Trier’s Louder Than Bombs [Theatrical Review]
Joachim Trier makes his English-language debut with one of his best efforts yet.