One of the year's best films comes from one of world cinema's most interesting young voices.
Reviews
Joshua Brunsting
Joshua Reviews Ada Ushpiz’s Vita Activa: The Spirit of Hannah Arendt [Theatrical Review]
This new documentary looks at the life and work of one of the great 20th Century thinkers, whose work is still relevant to this day.
Scott Reviews Joachim Trier’s Louder Than Bombs [Theatrical Review]
Trier's English-language debut retains all his sensitivity and insight.
Scott Nye
Joshua Reviews Tony Girardin’s Marinoni: The Fire In The Frame [Theatrical Review]
This documentary looks at the power of the human spirit through a very specific experience of one man's journey to conquer a world record.
Joshua Reviews Mickey Keating’s Darling [Theatrical Review]
This singular thriller is one of the most intriguing independent releases of the year so far.
Scott Reviews Arrow Video’s Nikkatsu Diamond Guys: Vol. 1 [Blu-ray Review]
Arrow gathers three undersung films from the pulp studio.
Joshua Reviews Guillaume Nicloux’s Valley Of Love [Theatrical Review]
While the two stars may steal the headlines, this is a deeply moving and profound look at grief and loss.
Scott Reviews King Hu’s A Touch of Zen [Masters of Cinema Blu-ray Review]
One of the greatest films of all time comes to Blu-ray in a stunning new restoration.
Joshua Reviews Naomi Kawase’s Sweet Bean [Theatrical Review]
The latest and most accessible film from Japanese auteur Naomi Kawase may be light on drama but is high on style.
Joshua Reviews Arnaud Desplechin’s My Golden Days [Theatrical Review]
New film is the latest, and maybe greatest, film from beloved French filmmaker Desplechin.
Joshua Reviews Kelly Daniela Norris and TW Pittman’s Nakom [Theatrical Review]
Nakom is the first film in the Kusaal language and is a hell of an insight into this rural part of Ghana.
Joshua Reviews Justin Lerner’s The Automatic Hate [Theatrical Review]
New drama is a well crafted film that's a mixture of tones that don't always mesh together.
Joshua Reviews Stephanie Rothman’s The Student Nurses [Theatrical Review]
While it may sound like an exploitation film, it's mind is on decidedly more political issues.
Joshua Reviews Kelly Reichardt’s River Of Grass [Theatrical Review]
This marks the first film from director Reichardt, in what is one of the great debuts from early 90s American independent cinema.
The Metrograph Launches Jean Eustache Retrospective
Films included range from Eustache's masterpiece, The Mother And The Whore, to Jean-Luc Godard's Masculin feminin.