With this new film, Alex van Warmerdam proves once again he's one of world cinema's most interesting voices.
Reviews
Joshua Brunsting
Scott Reviews Chantal Akerman’s No Home Movie [PIFF 2016]
The value of their conversations, typically involving old stories and new mundanities, is only truly understood in retrospect, enlivened by the wit of both women and how keenly many in the audience feel their own...
Scott Nye
Matthias Reviews Pablo Larraín’s The Club [PIFF 2016]
Pablo Larraín’s latest once again brings a deeply political lens to his native Chile.
Matthias Ellis
Joshua Reviews Jia Zhang-ke’s Mountains May Depart [Theatrical Review]
The latest film from director Jia Zhang-ke may be both his most accessible and uneven.
Joshua Reviews Tobias Lindholm’s A War [Theatrical Review]
This Oscar-nominated war drama is one of the best looks at the real morality of modern war to date.
Scott Reviews George Stevens’ Shane [Masters of Cinema Blu-ray Review]
The landmark western still stands tall.
Joshua Reviews Southbound [Theatrical Review]
This take on the horror anthology film is first must see scarefest of 2016.
Joshua Reviews Andrea Marini’s Art Of The Prank [Slamdance Review]
This new documentary looks at one of the great, and underrated, media satirists of our time.
Joshua Reviews Angela Boatwright’s Los Punks: We Are All We Have [Slamdance Review]
New documentary looks at one of the music world's smallest, yet most vital, scenes.
Joshua Reviews Derek Kimball’s Neptune [Slamdance Review]
This new drama is one of the best films Slamdance has offered its attendees in years.
Joshua Reviews Arturo Ripstein’s Bleak Street [Theatrical Review]
This noir takes us into not only the world of murder and prostitution, but lucha libre wrestling.
Joshua Reviews Jay Dockendorf’s Naz And Maalik [Theatrical Review]
This debut feature from Dockendorf looks at two black, Muslim men in Brooklyn as they deal with things ranging from sexuality to gentrification.
Scott Reviews John Frankenheimer’s Seconds [Masters of Cinema Blu-ray Review]
Frankenheimer's paranoid masterpiece also serves as a reflection of its star's soul.
Joshua Reviews Phillipe Garrel’s In The Shadow Of Women [Theatrical Review]
The first must-see film of 2016 comes from one of French cinema's great underrated masters.
Joshua Reviews Stephen Cone’s Henry Gamble’s Birthday Party [Theatrical Review]
New film is a decidedly quiet bit of counter programming to the slate of Oscar-hopefuls expanding in the coming weeks.