Joshua Reviews Amman Abbasi’s Dayveon [Theatrical Review] This debut feature is an emotionally engrossing look at loss and grief. Joshua BrunstingSeptember 15, 2017
Joshua Reviews Neasa Ní Chianáin And David Rane’s School Life [Theatrical Review] A boarding school is the setting for this warm, if ultimately formless, new documentary. Joshua BrunstingSeptember 8, 2017
Joshua Reviews Shaul Schwarz And Christina Clusiau’s Trophy [Theatrical Review] Trophy hunting is the focus of this new documentary, which offers up an unconventional look at the world of animal conservation and big game hunting. Joshua BrunstingSeptember 8, 2017
Joshua Reviews Ramona Diaz’s Motherland [Theatrical Review] This new documentary takes us into the world's busiest maternity ward for one of the year's most captivating documentary discoveries. Joshua BrunstingSeptember 8, 2017
Joshua Reviews Peter Bratt’s Dolores [Theatrical Review] Bratt's new film takes a look at the life and political career of one of the US' great activists. Joshua BrunstingSeptember 1, 2017
Joshua Reviews Valerie Muller And Angelin Preljocaj’s Polina [Theatrical Review] With a top tier supporting performance from Juliette Binoche, Polina is a narratively cliche yet quietly captivating character study. Joshua BrunstingAugust 24, 2017
Joshua Reviews Andrea Testa And Francisco Marquez’s The Long Night Of Francisco Sanctis [Theatrical Review] This new paranoia thriller is one of the year's most exciting directorial debuts, and a much needed change of pace this summer film season. Joshua BrunstingAugust 24, 2017
Joshua Reviews Jung Byung-Gil’s The Villainess [Theatrical Review] At once narratively incoherent and form-pushing in its action direction, The Villainess is one of the year's most exciting and frustrating films. Joshua BrunstingAugust 24, 2017
Scott Reviews Steven Soderbergh’s Logan Lucky [Theatrical Review] Soderbergh's return to the big screen is a tossed-off entertainment machine. Scott NyeAugust 17, 2017
Joshua Reviews Jang Hoon’s A Taxi Driver [Theatrical Review] This based-on-a-true-story political drama is one of 2017's great world cinema surprises. Joshua BrunstingAugust 11, 2017
Joshua Reviews Bertrand Bonello’s Nocturama [Theatrical Review] Bertrand Bonello returns with another startling film, this time leaving the world of YSL behind (sort of), instead taking a look at modern millennial malaise. Joshua BrunstingAugust 11, 2017
Joshua Reviews Kogonada’s Columbus [Theatrical Review] From visual essays to feature filmmaking, Kogonada has made a leap few have attempted and completely succeeded. Joshua BrunstingAugust 4, 2017
Joshua Reviews Donna Deitch’s Desert Hearts [Theatrical Review] Now in theaters, this is one of the year's most exciting repertory discoveries. Joshua BrunstingJuly 20, 2017
Joshua Reviews Martin Provost’s The Midwife [Theatrical Review] Despite having the makings of a relatively standard melodrama, Provost's film finds actress Catherine Deneuve at possibly the best she's been in ages. Joshua BrunstingJuly 20, 2017
Joshua Reviews Andrew Rossi’s Bronx Gothic [Theatrical Review] Film looks at Okwui Okpokwasili’s one-woman show of the same name. Joshua BrunstingJuly 13, 2017