The latest from iconic director Jean-Luc Godard sees the legendary filmmaker taking on revolutionary ideas through revolutionary means.
Tag - Theatrical Review
Joshua Brunsting
Joshua Reviews Marcelo Martinessi’s The Heiresses [Theatrical Review]
Marcelo Martinessi's debut film is a quiet, human portrait of connection in the face of a grand existential crisis in modern-day Paraguay.
Joshua Reviews Franz Osten’s Shiraz: A Romance Of India
This legendary 1928 Indian silent epic is hitting theaters in a gorgeous new restoration thanks to upstart distribution company Juno Films.
Joshua Reviews Astra Taylor’s What Is Democracy [Theatrical Review]
Taylor returns with this deeply compelling essay film about the roots and current state of democratic politics.
Joshua Reviews Mike Wiluan’s Buffalo Boys [Theatrical Review]
Singapore's Best Foreign Language Film entry for the upcoming Oscar ceremony, Mike Wiluan's Buffalo Boys is a mixed bag of stale genre tropes and exciting action.
Joshua Reviews Adam McKay’s Vice [Theatrical Review]
Adam McKay returns with another political satire, this time skewering one of the most controversial figures pf post-2000 politics.
Joshua Reviews Paul Weitz’s Bel Canto [Theatrical Review]
Despite being led by two truly great actors, Bel Canto is, sadly, a flat misfire.
Joshua Reviews Xavier Gens’ Cold Skin [Fantasia 2018]
The Hitman director returns with arguably his best film to date.
Joshua Reviews Nobuhiko Obayashi’s Hanagatami [Fantasia 2018]
Legendary Japanese auteur Nobuhiko Obayashi returns with a passion project par excellence.
Joshua Reviews Roland Vranik’s The Citizen [Theatrical Review]
This tender third film from director Roland Vranik is an empathetic, if flat, migrant story that's timely and important.
Joshua Reviews Lisa Immordino Vreeland’s Love, Cecil [Theatrical Review]
Chronicling the life and work of artist Cecil Beaton, Love, Cecil is a captivating (if slightly thin) look at one of the great multi-hyphenates of the era.
Joshua Reviews Joao Dumans And Affonso Ochoa’s Araby [Theatrical Review]
After a lengthy festival run, Araby finally arrives in theaters and is one of the year's great unsung gems.
Joshua Reviews The Zellner Brothers’ Damsel [Theatrical Review]
The Zellner Brothers return with one of their best films to date, a spin on the Western genre that's more than meets the eye.
Joshua Reviews Brett Haley’s Hearts Beat Loud [Theatrical Review]
Following up last year's Sam Elliott-driven The Hero, director Brett Haley returns with his best film yet.
Joshua Reviews Agnes Varda’s One Sings, The Other Doesn’t [Theatrical Review]
Varda's rarely seen masterpiece is back in theaters this weekend, and is ripe for rediscovery.