This new documentary looks at one of the country's most controversial police departments, and the broader state of policing in today's United States.
Tag - Theatrical Review
Joshua Brunsting
Joshua Reviews Edoardo de Angelis’ Indivisible [Theatrical Review]
This story of conjoined twins is a gorgeous fable with superb lead performances at its center.
Joshua Reviews Amman Abbasi’s Dayveon [Theatrical Review]
This debut feature is an emotionally engrossing look at loss and grief.
Joshua Reviews Neasa Ní Chianáin And David Rane’s School Life [Theatrical Review]
A boarding school is the setting for this warm, if ultimately formless, new documentary.
Joshua Reviews Shaul Schwarz And Christina Clusiau’s Trophy [Theatrical Review]
Trophy hunting is the focus of this new documentary, which offers up an unconventional look at the world of animal conservation and big game hunting.
Joshua Reviews Ramona Diaz’s Motherland [Theatrical Review]
This new documentary takes us into the world's busiest maternity ward for one of the year's most captivating documentary discoveries.
Joshua Reviews Peter Bratt’s Dolores [Theatrical Review]
Bratt's new film takes a look at the life and political career of one of the US' great activists.
Joshua Reviews Valerie Muller And Angelin Preljocaj’s Polina [Theatrical Review]
With a top tier supporting performance from Juliette Binoche, Polina is a narratively cliche yet quietly captivating character study.
Joshua Reviews Andrea Testa And Francisco Marquez’s The Long Night Of Francisco Sanctis [Theatrical Review]
This new paranoia thriller is one of the year's most exciting directorial debuts, and a much needed change of pace this summer film season.
Joshua Reviews Jung Byung-Gil’s The Villainess [Theatrical Review]
At once narratively incoherent and form-pushing in its action direction, The Villainess is one of the year's most exciting and frustrating films.
Joshua Reviews Jang Hoon’s A Taxi Driver [Theatrical Review]
This based-on-a-true-story political drama is one of 2017's great world cinema surprises.
Joshua Reviews Bertrand Bonello’s Nocturama [Theatrical Review]
Bertrand Bonello returns with another startling film, this time leaving the world of YSL behind (sort of), instead taking a look at modern millennial malaise.
Joshua Reviews Kogonada’s Columbus [Theatrical Review]
From visual essays to feature filmmaking, Kogonada has made a leap few have attempted and completely succeeded.
Joshua Reviews Andrew Rossi’s Bronx Gothic [Theatrical Review]
Film looks at Okwui Okpokwasili’s one-woman show of the same name.
Joshua Reviews Errol Morris’ B-Side: Elsa Dorfman’s Portrait Photography [Theatrical Review]
Errol Morris' latest effort is both a touch too long and yet arguably the director's most charming and warm work thus far in his historic career.