Peter Weir's made-for-TV nail-biter is a satisfying little thriller from an epic director.
Scott Nye
Scott Nye
On the Hulu Channel: Mikio Naruse’s Floating Clouds
Naruse's theme of postwar depression finds its ultimate expression.
Scott Reviews Pablo Berger’s Blancanieves [Theatrical Review]
This Spanish silent feature is magical, mysterious, and enthralling - in other words, a fairy tale.
On the Hulu Channel: Seijun Suzuki’s Everything Goes Wrong
Suzuki's 1960 youth exploitation movie is fast, loose, and only barely in control.
Scott Reviews Juan Solanas’ Upside Down [Theatrical Review]
The sci-fi romance that lacks ideas and heart.
Scott Reviews Federico Fellini’s City of Women [Masters of Cinema Blu-ray Review]
Fellini's swinging-sixties persona might not be so attractive in the early '80s, but this Blu-ray is.
Scott Reviews Sacha Guitry’s La poison [Masters of Cinema Blu-ray Review]
Guitry's acidic comedy is rejuvenated by Masters of Cinema.
Scott Reviews Kaneto Shindo’s Onibaba [Masters of Cinema Blu-ray Review]
Shindo's 1964 deathgrip of a film gets the royal treatment on Blu-ray.
On the Hulu Channel: François Truffaut’s The Woman Next Door
Truffaut's psychological take on a pulpy set-up...or vice-versa?
Scott Reviews Park Chan-wook’s Stoker [Theatrical Review]
South Korean director's English-language debut is a gas.
Scott Reviews Sergei Loznitsa’s In the Fog [PIFF 2013 Review]
Loznitsa's follow-up to My Joy is a well-wrought, though less audacious endeavor.
Scott Reviews Karen Shakhnazarov’s White Tiger [PIFF 2013 Review]
A film that's at once a horror and war picture without many of the markers of either.
Scott Reviews Alain Resnais’ You Ain’t Seen Nothin’ Yet! [PIFF 2013 Review]
At ninety, the legendary filmmaker continues to surprise, astonish, and move.
On the Hulu Channel: Roberto Rossellini’s Fear
While Ingrid Bergman has plenty, potential viewers have nothing to fear from this.